North America | 1782 Titles
Taking Woodstock (2009)
Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Se7en (1995)
Directed by | David Fincher | Cinematography by | Darius Khondji | Editing by | Richard Francis-Bruce
Fly Away Home (1996)
Directed by | Carroll Ballard | Cinematography by | Caleb Deschanel | Editing by | Nicholas C. Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Man Who Wasn’t There (2001)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Daughters of the Dust (1991)
Directed by | Julie Dash | Cinematography by | Arthur Jafa | Editing by | Joseph Burton, Amy Carey
Cameras | ARRI Cameras
Driving Miss Daisy (1989) 
Directed by | Bruce Beresford | Cinematography by | Peter James | Editing by | Mark Warner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Murder in the First (1995)
Priest (2011)
Directed by | Scott Stewart | Cinematography by | Don Burgess | Editing by | Lisa Zeno Churgin, Rebecca Weigold
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Junebug (2005)
Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
I Am Legend (2007)
Directed by | Francis Lawrence | Cinematography by | Andrew Lesnie | Editing by | Wayne Wahrman
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses
Southern Justice (2006)
Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses
Spy Game (2001)
Directed by | Tony Scott | Cinematography by | Dan Mindel | Editing by | Christian Wagner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Consenting Adults (1992)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Sam O'Steen
Cameras | Panavision Panaflex Platinum Camera
Alvin and the Chipmunks: Chipwrecked (2011)
The Last Castle (2001)
Directed by | Rod Lurie | Cinematography by | Shelly Johnson | Editing by | Michael Jablow, Kevin Stitt
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Maria Full of Grace (2004)
Directed by | Joshua Marston | Cinematography by | Jim Denault | Editing by | Anne McCabe, Lee Percy
Lenses | Cooke S4 Lenses
12 Rounds (2009)
The Getaway (1994)
Directed by | Roger Donaldson | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Frozen River (2008)
Directed by | Courtney Hunt | Cinematography by | Reed Morano | Editing by | Kate Williams
Cameras | Panasonic AJ-HDC27 Varicam Camera
Lenses | Zeiss DigiPrime Lenses
