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North America | 1782 Titles

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Apollo 18 (2011)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.85:1 | 86 Minutes

Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier

Starring | Warren Christie, Lloyd Owen, Ryan Robbins, Michael Kopsa

Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses | Panavision Primo Digital Lenses

Trouble with the Curve (2012)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Robert Lorenz | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Clint Eastwood, Amy Adams, John Goodman, Justin Timberlake

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

30,000 Leagues Under the Sea (2007)

Direct to Video | 2D | Color | 2.39:1 | 86 Minutes

Directed by | Gabriel Bologna | Cinematography by | Mark Atkins | Editing by | Matthew Alson Thornbury

Starring | Lorenzo Lamas, Sean Lawlor, Natalie Stone, Kim Little

Cameras | Sony HDW-F900 Camera

Blood Work (2002)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Blood Work | ShotOnWhat?

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Clint Eastwood, Jeff Daniels, Anjelica Huston, Wanda De Jesus

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Capote (2005)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Bennett Miller | Cinematography by | Adam Kimmel | Editing by | Christopher Tellefsen

Starring | Philip Seymour Hoffman, Clifton Collins Jr., Catherine Keener, Allie Mickelson

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses

Super (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 96 Minutes

Directed by | James Gunn | Cinematography by | Steve Gainer | Editing by | Cara Silverman

Starring | Rainn Wilson, Elliot Page, Liv Tyler, Kevin Bacon

Cameras | Red One Camera

Pearl Harbor (2001)

Motion Picture | 2D | Black & White, Color | 2.20:1, 2.39:1 | 183 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Starring | Ben Affleck, Kate Beckinsale, Josh Hartnett, William Lee Scott

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Crazy Heart (2009)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Scott Cooper | Cinematography by | Barry Markowitz | Editing by | John Axelrad, Jeffrey Ford

Starring | Jeff Bridges, Maggie Gyllenhaal, Colin Farrell, James Keane

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Waterworld (1995)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Kevin Reynolds | Cinematography by | Dean Semler | Editing by | Peter Boyle

Starring | Kevin Costner, Jeanne Tripplehorn, Dennis Hopper, Tina Majorino

Cameras | Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses | Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Kid (2000)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Jon Turteltaub | Cinematography by | Peter Menzies Jr. | Editing by | Peter Honess, David Rennie

Starring | Bruce Willis, Spencer Breslin, Emily Mortimer, Lily Tomlin

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Falls (2003)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Paul DeNigris | Cinematography by | Chris Santucci | Editing by | Paul DeNigris

Starring | David Tully, Diedre Kilgore, Johanna Watts, Ken Dapper

Cameras | Canon XL1 Camera

Lenses | Canon Lenses

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Motion Picture | 2D | Color | 2.35:1 | 143 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Starring | Johnny Depp, Geoffrey Rush, Orlando Bloom, Keira Knightley

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

High Crimes (2002)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

High Crimes | ShotOnWhat?

Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian

Starring | Jim Caviezel, Morgan Freeman, Ashley Judd, Adam Scott

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Cooler (2003)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Wayne Kramer | Cinematography by | Jim Whitaker | Editing by | Arthur Coburn

Starring | William H. Macy, Maria Bello, Alec Baldwin, Shawn Hatosy

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Catch Me If You Can (2002)

Motion Picture | 2D | Color | 1.85:1 | 141 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Leonardo DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Affliction (1997)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Directed by | Paul Schrader | Cinematography by | Paul Sarossy | Editing by | Jay Rabinowitz

Starring | Nick Nolte, Sissy Spacek, James Coburn, Brigid Tierney

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ed Wood (1994)

Motion Picture | 2D | Film Project | Black & White | 127 Minutes

Directed by | Tim Burton | Cinematography by | Stefan Czapsky | Editing by | Chris Lebenzon

Starring | Johnny Depp, Martin Landau, Sarah Jessica Parker, Patricia Arquette

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Very Harold & Kumar 3D Christmas (2011)

Motion Picture | 3D | Color | 2.39:1 | 90 Minutes

Directed by | Todd Strauss-Schulson | Cinematography by | Michael Barrett | Editing by | Eric Kissack

Starring | Kal Penn, John Cho, Neil Patrick Harris, Patton Oswalt

Cameras | Panavision Genesis Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Dark Country (2009)

Motion Picture | 2D, 3D | Color | 88 Minutes

Directed by | Thomas Jane | Cinematography by | Geoff Boyle | Editing by | John Lafferty, Robert K. Lambert

Starring | Thomas Jane, Lauren German, Ron Perlman, Chris Browning

Cameras | Red One Camera, Silicon Imaging SI-2K Camera

Lenses | Angenieux Lenses, Schneider Lenses

Winged Migration (2001)

Documentary | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Jacques Perrin, Jacques Cluzaud, Michel Debats | Cinematography by | Olli Barbé, Michel Benjamin, Sylvie Carcedo, Laurent Charbonnier, Luc Drion, Laurent Fleutot, Philippe Garguil, Dominique Gentil, Bernard Lutic, Thierry Machado, Stéphane Martin, Fabrice Moindrot, Ernst Sasse, Michel Terrasse, Thierry Thomas | Editing by | Marie-Josèphe Yoyotte

Starring | Jacques Perrin, Philippe Labro

Cameras | Aaton 35-III Camera, Eclair Cameras, Panavision Cameras, Technovision Cameras

Lenses | Panavision Lenses

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