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North America | 1782 Titles

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Desire Street (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 82 Minutes

Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu

Starring | Alejandra Walker, Ellen Clifford, Javier Lopez, Alexandra Smothers

Cameras | ARRIFLEX 16mm Cameras

Chicago (2002)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 113 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Martin Walsh

Starring | Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Taye Diggs

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Changeling (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 141 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Angelina Jolie, Colm Feore, Amy Ryan, Gattlin Griffith

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Thelma & Louise (1991)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | Thom Noble

Starring | Susan Sarandon, Geena Davis, Harvey Keitel, Michael Madsen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Donnie Brasco (1997)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Mike Newell | Cinematography by | Peter Sova | Editing by | Jon Gregory

Starring | Al Pacino, Johnny Depp, Michael Madsen, Bruno Kirby

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Fear and Loathing in Las Vegas (1998)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Lesley Walker

Starring | Johnny Depp, Benicio Del Toro, Tobey Maguire, Michael Lee Gogin

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Standard Speed Prime Lenses

American History X (1998)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 119 Minutes

Directed by | Tony Kaye | Cinematography by | Tony Kaye | Editing by | Gerald B. Greenberg, Alan Heim

Starring | Edward Norton, Edward Furlong, Beverly D'Angelo, Jennifer Lien

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Extremely Loud & Incredibly Close (2011)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson

Starring | Thomas Horn, Tom Hanks, Sandra Bullock, Max von Sydow

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

National Treasure (2004)

Motion Picture | 2D | Color | 2.39:1 | 131 Minutes

Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg

Starring | Nicolas Cage, Diane Kruger, Justin Bartha, Sean Bean

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

Away from Her (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 110 Minutes

Directed by | Sarah Polley | Cinematography by | Luc Montpellier | Editing by | David Wharnsby

Starring | Julie Christie, Michael Murphy, Gordon Pinsent, Stacey LaBerge

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Kite Runner (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Khalid Abdalla, Ahmad Khan Mahmoodzada, Atossa Leoni, Shaun Toub

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

54 (1998)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Mark Christopher | Cinematography by | Alexander Gruszynski | Editing by | Lee Percy

Starring | Ryan Phillippe, Salma Hayek, Neve Campbell, Mike Myers

Cameras | Panavision Cameras

Lenses | Panavision Lenses

247°F (2011)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Levan Bakhia, Beka Jguburia | Cinematography by | Vigen Vartanov | Editing by | Peter Hollywood

Starring | Scout Taylor-Compton, Christina Ulloa, Travis Van Winkle, Michael Copon

Cameras | Red One Camera

Sleepy Hollow (1999)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Tim Burton | Cinematography by | Emmanuel Lubezki | Editing by | Chris Lebenzon, Joel Negron

Starring | Johnny Depp, Christina Ricci, Miranda Richardson, Michael Gambon

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Batman Returns (1992)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Tim Burton | Cinematography by | Stefan Czapsky | Editing by | Bob Badami, Chris Lebenzon

Starring | Michael Keaton, Danny DeVito, Michelle Pfeiffer, Christopher Walken

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

O Brother, Where Art Thou? (2000)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke

Starring | George Clooney, John Turturro, Tim Blake Nelson, John Goodman

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses

Eternal Sunshine of the Spotless Mind (2004)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Michel Gondry | Cinematography by | Ellen Kuras | Editing by | Valdís Óskarsdóttir

Starring | Jim Carrey, Kate Winslet, Tom Wilkinson, Gerry Robert Byrne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss ARRI Macro Lenses, Zeiss Super Speed Lenses

The Insider (1999)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | William Goldenberg, David Rosenbloom, Paul Rubell

Starring | Russell Crowe, Al Pacino, Christopher Plummer, Diane Venora

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses | Panavision Primo Primes Spherical Lenses

Rachel Getting Married (2008)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 113 Minutes

Directed by | Jonathan Demme | Cinematography by | Declan Quinn | Editing by | Tim Squyres

Starring | Anne Hathaway, Rosemarie DeWitt, Debra Winger, Sebastian Stan

Cameras | Sony HDW-F900R Camera

Copycat (1995)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Jon Amiel | Cinematography by | László Kovács | Editing by | Jim Clark, Alan Heim

Starring | Sigourney Weaver, Holly Hunter, Dermot Mulroney, William McNamara

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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