North America | 1782 Titles
Across the Universe (2007)
Directed by | Julie Taymor | Cinematography by | Bruno Delbonnel | Editing by | Françoise Bonnot
Cameras | ARRI Cameras, Panavision Cameras
Lenses | Panavision Lenses
Planet of the Apes (2001)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | Panavision Panaflex Platinum Camera
Sling Blade (1996)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Hughes Winborne
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Training Day (2001)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV
Lenses | Hawk C-Series Lenses
28 Days (2000)
Directed by | Betty Thomas | Cinematography by | Declan Quinn | Editing by | Peter Teschner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Truman Show (1998)
Directed by | Peter Weir | Cinematography by | Peter Biziou | Editing by | William M. Anderson, Lee Smith
Cameras | Panavision Panaflex Platinum Camera
Carlito’s Way (1993)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Kristina Boden, Bill Pankow
Cameras | Panavision Panaflex Gold II Camera
Rush Hour (1998)
Directed by | Brett Ratner | Cinematography by | Adam Greenberg | Editing by | Mark Helfrich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Weather Man (2005)
Election (1999)
Directed by | Alexander Payne | Cinematography by | James Glennon | Editing by | Kevin Tent
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The GWARnage Campaign (2002)
Phenomenon (1996)
Directed by | Jon Turteltaub | Cinematography by | Phedon Papamichael | Editing by | Bruce Green
Cameras | Panavision Panaflex Platinum Camera
360 (2011)
Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses
A Rat’s Tale (1997)
Directed by | Michael F. Huse | Cinematography by | Piotr Lenar | Editing by | Timothy McLeish
Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
A Different Corner (2010)
Directed by | Andrew Freeman | Cinematography by | Alex Salahi | Editing by | Andrew Freeman
Cameras | Red One MX Camera
Million Dollar Baby (2004) 
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox
Cameras | Panavision Panaflex Platinum Camera
Apocalypse and the Beauty Queen (2005)
Directed by | Thomas Smugala | Cinematography by | Jeff Barklage | Editing by | Daniel Hirsh, Michael Matassa, Jack Snyder
Cameras | ARRIFLEX 35 III Camera, Moviecam 3N Camera
Lenses | Angenieux HP Zoom Lenses, Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke Speed Panchro (S1) 32mm f2.0 Lens, Cooke Speed Panchro (S1) 40mm f2.0 Lens, Cooke Speed Panchro (S1) 50mm f2.0 Lens, Cooke Speed Panchro (S1) 75mm f2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens, Cooke Zoom Lenses
The Departed (2006)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Corpse Bride (2005)
Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas
Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera
Lenses | Zeiss Ultra Prime Lenses
Mousehunt (1997)
