Canada | 168 Titles
Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Country | USA, Canada
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor
Cameras | Panavision Panaflex Camera
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A Safe Place (0)
Country | Canada
Type | Movie
Directed by | Amir Aghelnejad | Cinematography by | Andy Hodgson | Editing by | Amir Aghelnejad
Cameras | Red Scarlet Camera
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Lost Girl (2010)
Country | Canada
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | David Greene, Craig Wright, Joachim Martin, Anton Van Rooyen | Editing by | Paul G. Day, Ben Wilkinson, Teresa Hannigan, Mike Lee, Dale Gagne, Brett Sullivan, Wendy Hallam Martin
Cameras | Panavision Genesis Camera
Lenses | Panavision Lenses
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Altered Carbon (2018)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 2.0:1
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
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Ice (2016)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Robert Aschmann, Christos Bitsakos, Maz Makhani | Editing by | Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic 40-440mm 2S T4.5 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Lenses
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R.L. Stine’s The Haunting Hour (2010)
Country | USA, Canada
Type | Television Series
Running Time | 23 Minutes
| Cinematography by | Michael Balfry | Editing by | Lisa Robison, Charles Robichaud, Jana Fritsch, Jeanne Slater, Jana Fitsch
Cameras | Red Epic Camera
Lenses | Cooke S4/i Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80mm T2.6 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens
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Three Night Stand (2013)
Country | Canada
Type | Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Pat Kiely | Cinematography by | Robert Vroom | Editing by | Jared Curtis
Cameras | ARRI ALEXA FR Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
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Status Update (2018)
Country | Canada, USA, China
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Scott Speer | Cinematography by | Russ T. Alsobrook | Editing by | Sean Valla
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4/i Lenses, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Fujinon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses
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The Man in the High Castle (2015)
Country | USA, UK, Canada
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Gonzalo Amat, James Hawkinson | Editing by | Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras | Red Epic Dragon Camera
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Star Trek Beyond (2016)
Country | USA, China, United Arab Emirates, Canada
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Nine Lives (2016)
Country | France, China, Canada
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 1.85:1
Directed by | Barry Sonnenfeld | Cinematography by | Karl Walter Lindenlaub | Editing by | David Zimmerman, Don Zimmerman
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses, Zeiss Ultra Prime Lenses
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Suicide Squad (2016)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy
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The Kennedys (2011)
Country | Canada, USA
Type | Miniseries
Running Time | 346 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | David Moxness | Editing by | David B. Thompson, Don Cassidy
Cameras | Sony CineAlta F35 Camera
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Breakout Kings (2011)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Derick V. Underschultz, Fernando Argüelles, Jim Whitaker | Editing by | Etienne Des Lauriers, Eric Seaburn, Paul Trejo, Rick Tuber, Scott Eilers, Chris Conlee
Cameras | Panavision Genesis Camera
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Heaven Is for Real (2014)
Country | USA
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Panavision Genesis Camera
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Bad Santa 2 (2016)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.85:1
Directed by | Mark Waters | Cinematography by | Theo van de Sande | Editing by | Travis Sittard
Cameras | Panasonic VariCam 35
Lenses | Cooke Lenses
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Two Lovers and a Bear (2016)
Country | Canada
Type | Motion Picture
Running Time | 96 Minutes
Aspect Ratio | 2.39:1
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau
Cameras | ARRI ALEXA XT Camera
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Mean Dreams (2016)
Country | Canada
Type | Motion Picture
Running Time | 108 Minutes
Directed by | Nathan Morlando | Cinematography by | Steve Cosens | Editing by | Sandy Pereira, Ronald Sanders
Cameras | Red Epic Dragon Camera
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The Boy (2016)
Country | USA, Canada, China
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Directed by | William Brent Bell | Cinematography by | Daniel Pearl | Editing by | Brian Berdan
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Hawk Vantage One Lenses
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My Big Fat Greek Wedding 2 (2016)
Country | USA, Canada
Type | Motion Picture
Running Time | 94 Minutes
Aspect Ratio | 2.39:1
Directed by | Kirk Jones | Cinematography by | Jim Denault | Editing by | Mark Czyzewski
Cameras | Red Epic Dragon Camera
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