North America | 1782 Titles
Kramer vs. Kramer (1979) 
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Gerald B. Greenberg
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Charlie Wilson’s War (2007)
Directed by | Mike Nichols | Cinematography by | Stephen Goldblatt | Editing by | John Bloom, Antonia Van Drimmelen
The Savages (2007)
Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
Die Hard 2 (1990)
Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
High Anxiety (1977)
Directed by | Mel Brooks | Cinematography by | Paul Lohmann | Editing by | John C. Howard
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Men of Honor (2000)
Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt
Lenses | Cooke S4 Lenses
Solar Crisis (1990)
Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor
Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Splinterheads (2009)
Directed by | Brant Sersen | Cinematography by | Michael Simmonds | Editing by | Chris Lechler
Cameras | Red One Camera
Pollock (2000)
X-Men (2000)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Steven Rosenblum, Kevin Stitt, John Wright
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Savages (2012)
Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Being John Malkovich (1999)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Lenses | Cooke S4 Lenses
The Grey (2011)
Directed by | Joe Carnahan | Cinematography by | Masanobu Takayanagi | Editing by | Roger Barton, Jason Hellmann
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Battle Los Angeles (2011)
Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Moonrise Kingdom (2012)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Cameras | Aaton A-Minima Camera, Aaton Xterà Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Kiss of Death (1997)
Directed by | Andrei Feher | Cinematography by | Massimo Zeri
Cameras | ARRI ARRIFLEX Series Cameras
Don’t Tell (2005)
Directed by | Cristina Comencini | Cinematography by | Fabio Cianchetti | Editing by | Cecilia Zanuso
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Steal Big Steal Little (1995)
Alien: Resurrection (1997)
Sweet and Lowdown (1999)
Directed by | Woody Allen | Cinematography by | Fei Zhao | Editing by | Alisa Lepselter
Cameras | Panavision Cameras
Lenses | Panavision Lenses
