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North America | 1782 Titles

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Cinderella Man (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 144 Minutes

Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill

Starring | Russell Crowe, Renée Zellweger, Craig Bierko, Paul Giamatti

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Spectrauma (2011)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 91 Minutes

Directed by | Michael Lauter | Cinematography by | Jon Firestone | Editing by | Michael Lauter

Starring | Trevor Nelson, Migina Tsai, Jessica Boone, Chandan Prithiani

Cameras | Red One MX Camera

Lenses | Red Pro Zoom 18-85 mm T2.9 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

Lebanon, Pa. (2010)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Ben Hickernell | Cinematography by | MJ Schirmer | Editing by | Ben Hickernell

Starring | Josh Hopkins, Rachel Kitson, Ian Merrill Peakes, Samantha Mathis

Cameras | Red One Camera

Lenses | ARRI / Zeiss Lenses, Zeiss Lenses

We Were Soldiers (2002)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy

Starring | Mel Gibson, Madeleine Stowe, Greg Kinnear, Sam Elliott

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Good Will Hunting (1997)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Gus Van Sant | Cinematography by | Jean-Yves Escoffier | Editing by | Pietro Scalia

Starring | Robin Williams, Matt Damon, Ben Affleck, Stellan Skarsgård

Cameras | Panavision Cameras

Lenses | Panavision Lenses

3 Needles (2005)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Thom Fitzgerald | Cinematography by | Tom Harting | Editing by | Susan Shanks

Starring | Chloë Sevigny, Lucy Liu, Shawn Ashmore, Mabel Adams

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Standard Speed Prime Lenses

Belizaire the Cajun (1986)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo

Starring | Armand Assante, Gail Youngs, Michael Schoeffling, Stephen McHattie

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Little Miss Sunshine (2006)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin

Starring | Steve Carell, Toni Collette, Greg Kinnear, Abigail Breslin

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ransom (1996)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 121 Minutes

Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill

Starring | Mel Gibson, Gary Sinise, Rene Russo, Brawley Nolte

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Cool Hand Luke (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 127 Minutes

Directed by | Stuart Rosenberg | Cinematography by | Conrad L. Hall | Editing by | Sam O'Steen

Starring | Paul Newman, George Kennedy, Strother Martin, J.D. Cannon

Cameras | Mitchell BNC Camera

Lenses | Panavision Lenses

Arlington Road (1999)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Mark Pellington | Cinematography by | Bobby Bukowski | Editing by | Conrad Buff IV

Starring | Jeff Bridges, Tim Robbins, Joan Cusack, Hope Davis

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Rocky (1976)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 120 Minutes

Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | Scott Conrad, Richard Halsey

Starring | Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers

Cameras | Panavision Panaflex Camera, Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

The Hudsucker Proxy (1994)

Motion Picture | 2D | Black & White, Color | 1.37:1, 1.85:1 | 111 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Thom Noble

Starring | Tim Robbins, Paul Newman, Jennifer Jason Leigh, Charles Durning

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

Fletch Lives (1989)

Motion Picture | Color | 95 Minutes

Directed by | Michael Ritchie | Cinematography by | John McPherson | Editing by | Richard A. Harris

Starring | Chevy Chase, Hal Holbrook, Julianne Phillips, R. Lee Ermey

Cameras | Panavision Cameras

Lenses | Panavision Lenses

xXx (2002)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

xXx | ShotOnWhat?

Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Chris Lebenzon, Joel Negron, Paul Rubell

Starring | Vin Diesel, Asia Argento, Marton Csokas, Samuel L. Jackson

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

Lost in America (1985)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Albert Brooks | Cinematography by | Eric Saarinen | Editing by | David Finfer

Starring | Albert Brooks, Julie Hagerty, Sylvia Farrel, Tina Kincaid

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision Ultra Speed MKII Lenses

Wag the Dog (1997)

Motion Picture | Color | 1.85:1 | 97 Minutes

Directed by | Barry Levinson | Cinematography by | Robert Richardson | Editing by | Stu Linder

Starring | Dustin Hoffman, Robert De Niro, Anne Heche, Woody Harrelson

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Fright Night (2011)

Motion Picture | 3D | Color | 1.85:1 | 106 Minutes

Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel

Starring | Anton Yelchin, Colin Farrell, David Tennant, Toni Collette

Cameras | Red One MX Camera

Lenses | Zeiss Master Prime Lenses

Good Night, and Good Luck. (2005)

Motion Picture | 2D | 2K Project | Black & White | 1.85:1 | 93 Minutes

Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione

Starring | David Strathairn, George Clooney, Patricia Clarkson, Jeff Daniels

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Edge of Darkness (2010)

Motion Picture | 2D | Color | 2.35:1 | 117 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird

Starring | Mel Gibson, Ray Winstone, Danny Huston, Bojana Novakovic

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Classic Spherical Lenses

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