North America | 1782 Titles
Three Fugitives (1989)
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
A Slipping-Down Life (1999)
Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Monster’s Ball (2001)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
Charlie and the Chocolate Factory (2005)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Hei mao zhi ci sha Ye Li Qin (1992)
Directed by | Stephen Shin | Cinematography by | Siu-Keung Cheng, Chi-Wah Lee | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses
3:10 to Yuma (2007)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker
United 93 (2006)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses
A Crime (2006)
Directed by | Manuel Pradal | Cinematography by | Giorgos Arvanitis | Editing by | Jennifer Augé
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Girl, Interrupted (1999)
Directed by | James Mangold | Cinematography by | Jack N. Green | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Samsara (2001)
Directed by | Pan Nalin | Cinematography by | Rali Raltschev | Editing by | Isabel Meier
Cameras | Fricke 65mm Time-Lapse Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera
Lenses | Schneider Variogon Lenses
Bullitt (1968)
Directed by | Peter Yates | Cinematography by | William A. Fraker | Editing by | Frank P. Keller
Cameras | ARRIFLEX Camera
Lenses | ARRI Lenses
Annie Hall (1977) 
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Wendy Greene Bricmont, Ralph Rosenblum
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Sons of Tennessee Williams (2010)
Directed by | Tim Wolff | Cinematography by | Eric Adkins | Editing by | Matt Bucy, Tim Wolff
Cameras | Sony CineAlta F23 Camera, Sony PMW-EX1 Camera
Dog Day Afternoon (1975)
Directed by | Sidney Lumet | Cinematography by | Victor J. Kemper | Editing by | Dede Allen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Chronicle of Corpses (2000)
Directed by | Andrew Repasky McElhinney | Cinematography by | Abe Holtz | Editing by | Ron Kalish
Cameras | Aaton Cameras
Dancer in the Dark (2000)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | François Gédigier, Molly Malene Stensgaard
Cameras | Sony DSR-PD100 Camera, Sony DSR-PD150 Camera
About Schmidt (2002)
Directed by | Alexander Payne | Cinematography by | James Glennon | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera
Terms of Endearment (1983)
Directed by | James L. Brooks | Cinematography by | Andrzej Bartkowiak | Editing by | Richard Marks
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Alien Nation (1988)
Directed by | Graham Baker | Cinematography by | Adam Greenberg | Editing by | Kent Beyda
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Roaming (2015)
Directed by | Michael Ray Fox | Cinematography by | Kyle Cameron, Cam Erais | Editing by | Drew Wilson
Cameras | Red One Camera
Lenses | Red Pro Prime Lenses
