North America | 1782 Titles
Ben-Hur (1959)
Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth
Cameras | MGM Camera 65 Camera
Fast Times at Ridgemont High (1982)
Directed by | Amy Heckerling | Cinematography by | Matthew F. Leonetti | Editing by | Eric Jenkins
Cameras | Ultracam 35 Camera
Black Rain (1989)
Directed by | Ridley Scott | Cinematography by | Jan de Bont | Editing by | Tom Rolf
Cameras | Beaulieu Cameras, Panavision Cameras
Lenses | Panavision Lenses
Artworks (2003)
Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Lenses | Cooke Lenses
Crimson Tide (1995)
Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
The Place Beyond the Pines (2012)
Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane
London Boulevard (2010)
Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan
Anything Else (2003)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Cameras | Panavision Panaflex Millennium Camera
The Big Lebowski (1998)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Atlas Shrugged II: The Strike (2012)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
Hustle & Flow (2005)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Ultra Prime Lenses
*batteries not included (1987)
Directed by | Matthew Robbins | Cinematography by | John McPherson | Editing by | Cynthia Scheider
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Big Fish (2003)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Mask of Zorro (1998)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble
Lenses | Cooke Lenses
A Soldier’s Daughter Never Cries (1998)
Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson
Cameras | Panavision Panaflex Platinum Camera
Neighbor (2009)
Directed by | Robert A. Masciantonio | Cinematography by | MJ Schirmer | Editing by | R. Emmett Sibley
Cameras | Red One MX Camera
The Evil Dead (1981)
Directed by | Sam Raimi | Cinematography by | Tim Philo | Editing by | Edna Ruth Paul
Cameras | ARRIFLEX 16BL Camera, ARRIFLEX 16S Camera
A Midsummer Night’s Rave (2002)
Directed by | Gil Cates Jr. | Cinematography by | Tom Harting | Editing by | Jonathan Cates
Cameras | Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
Shooter (2007)
Directed by | Antoine Fuqua | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV, Eric A. Sears
9/Tenths (2006)
Directed by | Bob Degus | Cinematography by | Nathan Wilson | Editing by | Logan Breit
Cameras | Panavision Cameras
Lenses | Panavision Lenses