North America | 1782 Titles
Transformers: Dark of the Moon (2011)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Baraka (1992)
Directed by | Ron Fricke | Cinematography by | Ron Fricke | Editing by | David Aubrey, Ron Fricke, Mark Magidson
Cameras | Todd-AO 65mm Camera
Lenses | Schneider Lenses
Seabiscuit (2003)
Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
From Prada to Nada (2011)
Directed by | Angel Gracia | Cinematography by | Héctor Ortega | Editing by | Brad McLaughlin
Cameras | Sony CineAlta F35 Camera
A Cinderella Story (2004)
Directed by | Mark Rosman | Cinematography by | Anthony B. Richmond | Editing by | Cara Silverman
Lenses | Panavision Lenses
Videodrome (1983)
Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Ronald Sanders
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Next Day Air (2009)
The Mothman Prophecies (2002)
Directed by | Mark Pellington | Cinematography by | Fred Murphy | Editing by | Brian Berdan
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Lenses
Drowning Mona (2000)
Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
The Lost World: Jurassic Park (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
A Man Apart (2003)
Directed by | F. Gary Gray | Cinematography by | Jack N. Green | Editing by | Robert Brown, William Hoy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Shock to the System (1990)
Directed by | Jan Egleson | Cinematography by | Paul Goldsmith | Editing by | William M. Anderson, Peter C. Frank
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dances with Wolves (1990) 
Directed by | Kevin Costner | Cinematography by | Dean Semler | Editing by | William Hoy, Chip Masamitsu, Steve Potter, Neil Travis
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Willow (1988)
Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott
Cameras | Panavision Panaflex Gold Camera
The Naked Man (1998)
Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
The Descendants (2011)
Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent
Cameras | Panavision Panaflex Platinum Camera
Bad Teacher (2011)
Directed by | Jake Kasdan | Cinematography by | Alar Kivilo | Editing by | Tara Timpone
Cameras | Panavision Panaflex Platinum Camera
A Trip to Swadades (2008)
Directed by | Daniel Kremer | Cinematography by | Aaron Hollander | Editing by | Daniel Kremer
Cameras | Aaton XTR Prod Camera
A.I. Artificial Intelligence (2001)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | ARRI / Zeiss Lenses
American Splendor (2003)
Directed by | Shari Springer Berman, Robert Pulcini | Cinematography by | Terry Stacey | Editing by | Robert Pulcini
