Europe | 570 Titles
Le capital (2012)
Directed by | Costa-Gavras | Cinematography by | Eric Gautier | Editing by | Yannick Kergoat, Yorgos Lamprinos
Cameras | Aaton Penelope Camera
The Fifth Estate (2013)
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses
Cinéman (2009)
Directed by | Yann Moix | Cinematography by | Jérôme Alméras, Rémy Chevrin | Editing by | André Billaud, Philippe Bourgueil, Marco Cavé, Christine Lucas Navarro
Slasher House (2012)
Directed by | Mj Dixon | Cinematography by | Mj Dixon | Editing by | Mj Dixon
Cameras | Canon EOS 550D Camera
Hasta la Vista (2011)
Directed by | Geoffrey Enthoven | Cinematography by | Gerd Schelfhout | Editing by | Philippe Ravoet
Cameras | Red Digital Cinema Cameras, Red One MX Camera
U Be Dead (2009)
Directed by | Jamie Payne | Cinematography by | Mike Southon | Editing by | Eddie Hamilton
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Chacun son cinéma ou Ce petit coup au coeur quand la lumière s’éteint et que le film commence (2007)
Directed by | Theodoros Angelopoulos, Olivier Assayas, Bille August, Jane Campion, Youssef Chahine, Kaige Chen, Michael Cimino, Ethan Coen, Joel Coen, David Cronenberg, Jean-Pierre Dardenne, Luc Dardenne, Manoel de Oliveira, Raymond Depardon, Atom Egoyan, Amos Gitai, Hsiao-Hsien Hou, Alejandro G. Iñárritu, Aki Kaurismäki, Abbas Kiarostami, Takeshi Kitano, Andrey Konchalovskiy, Claude Lelouch, Ken Loach, David Lynch, Nanni Moretti, Roman Polanski, Raoul Ruiz, Walter Salles, Elia Suleiman, Ming-liang Tsai, Gus Van Sant, Lars von Trier, Wim Wenders, Kar-Wai Wong, Yimou Zhang | Cinematography by | Marc-André Batigne, Jacques Bouquin, Inti Briones, Dirk Brüel, Nicholas de Pencier, Eric Alan Edwards, Greig Fraser, Francis Grumman, Pung-Leung Kwan, Steven Lubensky, Emmanuel Lubezki, Alain Marcoen, Ramses Marzouk, Francisco Oliveira, Alessandro Pesci, Mauro Pinheiro Jr., Andreas Sinanos, Masha Solovyova, Shinzi Suzuki, Alberto Venzago, Xiaoding Zhao, Xiaoshi Zhao | Editing by | Luc Barnier, William Chang, Long Cheng, Alexandre de Franceschi, Marie-Hélène Dozo, Olga Grinshpun, François Gédigier, Takeshi Kitano, Bodil Kjærhauge, Véronique Lange, Giuseppe Leonetti, Valérie Loiseleux, Stephen Mirrione, Gabriel Reed, Susan Shipton, Yannis Tsitsopoulos
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
Blue Is the Warmest Color (2013)
Directed by | Abdellatif Kechiche | Cinematography by | Sofian El Fani | Editing by | Sophie Brunet, Ghalia Lacroix, Albertine Lastera, Jean-Marie Lengelle, Camille Toubkis
Cameras | Canon EOS-C300 Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Les chevaliers du ciel (2005)
Directed by | Gérard Pirès | Cinematography by | Pascal Lebègue | Editing by | Véronique Lange
Lenses | Angenieux Optimo Zoom Lenses
The Sweeney (2012)
Directed by | Nick Love | Cinematography by | Simon Dennis | Editing by | James Herbert
Cameras | ARRI ALEXA Camera, Red One MX Camera
The Broken Circle Breakdown (2012)
Directed by | Felix van Groeningen | Cinematography by | Ruben Impens | Editing by | Nico Leunen
Cameras | ARRI ALEXA Camera
The Color of Magic (2008)
| Cinematography by | Gavin Finney | Editing by | Joe McNally, Liz Webber
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Rush (2013)
Directed by | Ron Howard | Cinematography by | Anthony Dod Mantle | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses
Hot Wings (2013)
Directed by | Mitch Panayis | Cinematography by | Darragh Alder, Roter Su | Editing by | Darragh Alder
Lenses | Red Pro Zoom 17-50 mm T2.9 Lens
Jack Ryan: Shadow Recruit (2014)
The Counselor (2013)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Cameras | Red Epic Camera
Edge of Tomorrow (2014)
Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The World’s End (2013)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Paul Machliss
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
Noah (2014)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
