Europe | 570 Titles
Möbius (2013)
Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
100% cachemire (2013)
Directed by | Valérie Lemercier | Cinematography by | Denis Lenoir | Editing by | Célia Lafitedupont
Cameras | ARRI ALEXA Studio Camera
Nymphomaniac: Vol. I (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Quartet (2012)
Trilogia II: I skoni tou hronou (2008)
Directed by | Theodoros Angelopoulos | Cinematography by | Andreas Sinanos | Editing by | Giorgos Helidonidis, Yannis Tsitsopoulos
Cameras | ARRIFLEX 535 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Plan de table (2012)
Directed by | Christelle Raynal | Cinematography by | Éric Guichard | Editing by | Philippe Bourgueil
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Sister (2012)
Directed by | Brenda Davis | Cinematography by | Alexandra swati Guild | Editing by | Alistair Shurman
Cameras | ARRI ALEXA Camera
Astérix and Obélix: God Save Britannia (2012)
Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA Camera
Into the Woods (2014)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Bletchley Circle (2012)
| Cinematography by | John Pardue, Jake Polonsky, Adam Suschitzky | Editing by | Stephen O'Connell, St. John O'Rorke, David Rees
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Luther (2010)
| Cinematography by | Julian Court, Giulio Biccari, John Conroy, John Pardue, Tim Fleming, Stephan Pehrsson | Editing by | Katie Weiland, Tania Reddin, Jamie Trevill, Victoria Boydell, Sam Williams, Elen Pierce Lewis, Joel Skinner
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Upstairs Downstairs (2010)
| Cinematography by | Adam Suschitzky, John Conroy, Peter Greenhalgh, Ian Moss | Editing by | Úna Ní Dhonghaíle, Paul Brown, Crispin Green, Isobel Stephenson, Caroline Limmer
Cameras | ARRI ALEXA Camera
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Vampire Academy (2014)
Directed by | Mark Waters | Cinematography by | Tony Pierce-Roberts | Editing by | Chris Gill
Cameras | ARRI ALEXA Camera
Ashes to Ashes (2008)
| Cinematography by | Simon Archer, Tim Palmer, Adam Suschitzky, Julian Court, Nic Lawson, Fabian Wagner, Balazs Bolygo | Editing by | Jonathan Amos, Jamie Pearson, Ben Drury, Barney Pilling, Paul Endacott, Elen Pierce Lewis, Sam Williams, Jamie Trevill, Guy Bensley
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Little Dorrit (2008)
| Cinematography by | Owen McPolin, Lukas Strebel, Alan Almond | Editing by | Philip Kloss, Nick Arthurs, David Head
Cameras | ARRIFLEX D-21 Camera
Sur la piste du Marsupilami (2012)
Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Do You Remember? (2015)
Directed by | Isaac Madge | Cinematography by | Isaac Madge | Editing by | Isaac Madge
Cameras | Canon EOS 550D Camera
Skellig: The Owl Man (2009)
Directed by | Annabel Jankel | Cinematography by | Steve Lawes | Editing by | Peter Christelis
Cameras | ARRIFLEX D-21 Camera
Margaret (2009)
Directed by | James Kent | Cinematography by | David Odd | Editing by | William Diver
Cameras | ARRICAM Lite (LT) Camera
