Europe | 570 Titles
Belle (2013)
Directed by | Amma Asante | Cinematography by | Ben Smithard | Editing by | Victoria Boydell, Pia Di Ciaula
Cameras | Sony CineAlta F65 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Chocolat (2000)
Citizenfour (2014)
Directed by | Laura Poitras | Cinematography by | Kirsten Johnson, Trevor Paglen, Laura Poitras, Katy Scoggin | Editing by | Mathilde Bonnefoy
Big Eyes (2014)
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
LFO (2013)
Directed by | Antonio Tublen | Cinematography by | Alexander Brøndsted, Linus Eklund | Editing by | Antonio Tublen
Cameras | Blackmagic Design Cameras
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Directed by | Stanley Kubrick | Cinematography by | Gilbert Taylor | Editing by | Anthony Harvey
Cameras | Mitchell BNC Camera
Mr. Turner (2014)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory
Cameras | ARRI ALEXA Plus Camera, Canon EOS-C500 Camera
Lenses | Cooke Speed Panchro Lenses
Admission (2014)
Directed by | Gianluca Balla | Cinematography by | Danny Collinson, Hedda Estensen | Editing by | Jamie Robinson
Cameras | Canon EOS-7D Camera
Recien cazado (2009)
Directed by | Rene Bueno | Cinematography by | Alberto Lee | Editing by | Rene Bueno, Zeiddy Silva-Rios Viggiano
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses
Survivors (2008)
| Cinematography by | Alan Almond, Graham Frake, Nigel Willoughby, Fabian Wagner, Tony Miller, Adam Suschitzky | Editing by | David Rees, David Barrett, Steve Singleton, Tim Marchant, Beverley Mills, Roy Sharman
Cameras | ARRIFLEX Camera, ARRIFLEX D-21 Camera
Lenses | ARRI Lenses
Silent Ones (2013)
Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke
Cameras | Aaton Penelope Camera
Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Broj 55 (2014)
Directed by | Kristijan Milic | Cinematography by | Mirko Pivcevic | Editing by | Branko Schmidt, Veljko Segaric
Cameras | ARRI ALEXA Series Cameras
Patton (1970) 
Directed by | Franklin J. Schaffner | Cinematography by | Fred J. Koenekamp | Editing by | Hugh S. Fowler
Cameras | Mitchell FC 65mm Camera
The Lavender Hill Mob (1951)
Grace of Monaco (2014)
Directed by | Olivier Dahan | Cinematography by | Eric Gautier | Editing by | Olivier Gajan
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses
A Fine Pair (1968)
The Riot Club (2014)
Hercules (2014)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong
Cameras | ARRI ALEXA XT Camera
The List of Adrian Messenger (1963)
Directed by | John Huston | Cinematography by | Joseph MacDonald | Editing by | Hugh S. Fowler, Terry O. Morse
