Production Category » Motion Picture

Motion Picture | 11129 Titles

Motion Picture 2.67/5 54 Votes

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Skyscraper (2018)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Rawson Marshall Thurber | Cinematography by | Robert Elswit | Editing by | Julian Clarke, Michael L. Sale

Starring | Dwayne Johnson, Neve Campbell, Chin Han

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Hereditary (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 127 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston, Jennifer Lame

Starring | Toni Collette, Milly Shapiro, Gabriel Byrne

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Primo Primes Spherical Lenses

Roman J. Israel, Esq. (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Denzel Washington, Colin Farrell, Carmen Ejogo

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Roma (2018)

Motion Picture | 2D | 4K Project | Black & White | 2.20:1, 2.39:1 | 135 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Alfonso Cuarón | Editing by | Alfonso Cuarón, Adam Gough

Starring | Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses

CODA (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 111 Minutes

Directed by | Sian Heder | Cinematography by | Paula Huidobro | Editing by | Geraud Brisson

Starring | Emilia Jones, Marlee Matlin, Troy Kotsur

Cameras | Sony CineAlta VENICE Camera

Lenses | ARRI Signature Prime Lenses

Destroyer (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Karyn Kusama | Cinematography by | Julie Kirkwood | Editing by | Plummy Tucker

Starring | Nicole Kidman, Toby Kebbell, Tatiana Maslany

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Lenses

The Witch (2015)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 92 Minutes

Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford

Starring | Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Julian Richings

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Paul Cameron | Editing by | Roger Barton, Leigh Folsom Boyd

Starring | Johnny Depp, Geoffrey Rush, Javier Bardem

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Greatest Showman (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Michael Gracey | Cinematography by | Seamus McGarvey | Editing by | Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Starring | Hugh Jackman, Michelle Williams, Zac Efron

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Mudbound (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 134 Minutes

Directed by | Dee Rees | Cinematography by | Rachel Morrison | Editing by | Mako Kamitsuna

Starring | Jason Mitchell, Carey Mulligan, Jason Clarke

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Brad’s Status (2017)

Motion Picture | 3D | Color | 2.0:1 | 102 Minutes

Directed by | Mike White | Cinematography by | Xavier Grobet | Editing by | Heather Persons

Starring | Ben Stiller, Austin Abrams, Jenna Fischer

Cameras | ARRI ALEXA Series Cameras

Get Out (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Jordan Peele | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin

Starring | Daniel Kaluuya, Allison Williams, Bradley Whitford

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Zoom Lenses

Hacksaw Ridge (2016)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 139 Minutes

Directed by | Mel Gibson | Cinematography by | Simon Duggan | Editing by | John Gilbert

Starring | Andrew Garfield, Sam Worthington, Luke Bracey

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

The Shape of Water (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 123 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Sidney Wolinsky

Starring | Sally Hawkins, Octavia Spencer, Michael Shannon

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Battle of the Sexes (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Linus Sandgren | Editing by | Pamela Martin

Starring | Emma Stone, Steve Carell, Andrea Riseborough

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

Avatar: The Way of Water (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1, 2.39:1 | 192 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldaña, Sigourney Weaver

Cameras | Sony CineAlta VENICE Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

The Crow (1994)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig, M. Scott Smith

Starring | Brandon Lee, Michael Wincott, Rochelle Davis, Ernie Hudson

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Napoleon (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 158 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Sam Restivo, Claire Simpson

Starring | Joaquin Phoenix, Vanessa Kirby, Tahar Rahim

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Warlock: The Armageddon (1993)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 98 Minutes

Directed by | Anthony Hickox | Cinematography by | Gerry Lively | Editing by | Christopher Cibelli, James D.R. Hickox

Starring | Julian Sands, Chris Young, Paula Marshall, Joanna Pacula

Cameras | ARRIFLEX 35mm Cameras

Blonde (2022)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 167 Minutes

Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson

Starring | Ana de Armas, Lily Fisher, Julianne Nicholson

Cameras | ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

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