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Motion Picture | 11129 Titles

Motion Picture 2.67/5 54 Votes

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Cobra Verde (1987)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Werner Herzog | Cinematography by | Viktor Ruzicka | Editing by | Maximiliane Mainka

Starring | Klaus Kinski, King Ampaw, José Lewgoy

Cameras | ARRIFLEX 35 III Camera

Life in the Old Cloth (2024)

Motion Picture | 2D | Color | 2.39:1 |

Directed by | Eveshka Ghost

Starring | Xander Phillips, Caroline Gilbert, James McClusky

Cameras | Canon EOS-C100 Camera

Lenses | Samyang Lenses

Elvis (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 159 Minutes

Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Jonathan Redmond, Matt Villa

Starring | Tom Hanks, Austin Butler, Olivia DeJonge

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

The Endless (2017)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Justin Benson, Aaron Moorhead | Cinematography by | Aaron Moorhead | Editing by | Justin Benson, Michael Felker, Aaron Moorhead

Starring | Aaron Moorhead, Justin Benson, Callie Hernandez

Cameras | Panasonic Lumix DMC-GH4 Camera, Red Epic Dragon Camera

French Story (2024)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 60 Minutes

Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier

Starring | Joshua Allsopp, Cal Duffy, Matthias Fettah

Lenses | Zeiss Jena Lens

Bad Lieutenant: Port of Call New Orleans (2009)

Motion Picture | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Werner Herzog | Cinematography by | Peter Zeitlinger | Editing by | Joe Bini

Starring | Nicolas Cage, Eva Mendes, Russell M. Haeuser

Cameras | Moviecam Compact MK2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Taare Zameen Par (2007)

Motion Picture | Color | 2.39:1 | 165 Minutes

Directed by | Aamir Khan, Amole Gupte | Cinematography by | Satyajit Pande | Editing by | Deepa Bhatia

Starring | Darsheel Safary, Aamir Khan, Tisca Chopra, Vipin Sharma

Cameras | ARRIFLEX 535 Camera

The Big Red One (1980)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 113 Minutes

Directed by | Samuel Fuller | Cinematography by | Adam Greenberg | Editing by | Bryan McKenzie, Morton Tubor

Starring | Lee Marvin, Mark Hamill, Robert Carradine

Cameras | ARRIFLEX Camera

Problem Child (1990)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Dennis Dugan | Cinematography by | Peter Lyons Collister | Editing by | Tom Finan, Daniel P. Hanley, Mike Hill

Starring | Michael Oliver, John Ritter, Jack Warden, Gilbert Gottfried

Cameras | Panavision Panaflex Camera

Incendies (2010)

Motion Picture | 2D | 2K Project | Color | 131 Minutes

Directed by | Denis Villeneuve | Cinematography by | André Turpin | Editing by | Monique Dartonne

Starring | Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Master Prime Lenses

Pearl (2022)

Motion Picture | 2D | 4K Project | Color | 103 Minutes

Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West

Starring | Mia Goth, David Corenswet, Tandi Wright

Cameras | Sony CineAlta VENICE Camera

Lenses | Hawk MiniHawk Hybrid Anamorphic Lenses

Austin Powers: The Spy Who Shagged Me (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 95 Minutes

Directed by | Jay Roach | Cinematography by | Ueli Steiger | Editing by | Debra Neil-Fisher, Jon Poll

Starring | Mike Myers, Heather Graham, Michael York, Robert Wagner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses, Tokina Vista Cinema Prime Lenses

Stalker (1979)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3) | 162 Minutes

Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova

Starring | Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn

Cameras | Kinor 35C 5KSN Camera, Mitchell NC Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens

The Day After Tomorrow (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner

Starring | Dennis Quaid, Jake Gyllenhaal, Emmy Rossum

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Fitzcarraldo (1982)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 158 Minutes

Directed by | Werner Herzog | Cinematography by | Thomas Mauch | Editing by | Beate Mainka-Jellinghaus

Starring | Klaus Kinski, Claudia Cardinale, José Lewgoy

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

The Sacrifice (1986)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 149 Minutes

Directed by | Andrei Tarkovsky | Cinematography by | Sven Nykvist | Editing by | Michal Leszczylowksi, Andrei Tarkovsky

Starring | Erland Josephson, Susan Fleetwood, Allan Edwall

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens

The Bourne Identity (2002)

Motion Picture | 2D | Film Project | Color | 119 Minutes

Directed by | Doug Liman | Cinematography by | Oliver Wood | Editing by | Saar Klein

Starring | Franka Potente, Matt Damon, Chris Cooper

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

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