Motion Picture | 11129 Titles
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
WALL·E (2008)
Alien: Covenant (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses
The Post (2017)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses
Red Sparrow (2018)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Blood Cell (2019)
Directed by | Daniel Sowter | Cinematography by | Sidney Berthier | Editing by | Daniel Sowter
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses
The Happy Prince (2018)
Around the World in Eighty Days (1956) 
Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
The Power of the Dog (2021)
Directed by | Jane Campion | Cinematography by | Ari Wegner | Editing by | Peter Sciberras
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert
Lenses | Zeiss Ultra Prime Lenses
Legends of the Fall (1994)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Gold II Camera
Lenses | Canon Lenses, Panavision Lenses
A River Runs Through It (1992)
Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Robert Estrin, Lynzee Klingman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Glory (1989)
Directed by | Edward Zwick | Cinematography by | Freddie Francis | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Gold II Camera
Papillon (2017)
Directed by | Michael Noer | Cinematography by | Hagen Bogdanski | Editing by | John Axelrad, Lee Haugen
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Zeiss Ultra Prime Lenses
The Hitman’s Bodyguard (2017)
Directed by | Patrick Hughes | Cinematography by | Jules O'Loughlin | Editing by | Jake Roberts
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Hawk V-Lite Vintage´74 Lens
Baywatch (2017)
Directed by | Seth Gordon | Cinematography by | Eric Steelberg | Editing by | Peter S. Elliot
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Flatliners (2017)
Directed by | Niels Arden Oplev | Cinematography by | Eric Kress | Editing by | Tom Elkins
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision Lenses
Moonlight (2016)
Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses
La La Land (2016)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
They Love (2014)
Directed by | Daniel Sowter | Cinematography by | Mat Dean | Editing by | Marie Paice
Cameras | Sony HDR-FX1 Camera
