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Motion Picture | 11129 Titles

Motion Picture 2.67/5 54 Votes

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The Black Swan (1942)

Motion Picture | 2D | Film Project | Black & White, Color | 1.37:1 | 87 Minutes

Directed by | Henry King | Cinematography by | Leon Shamroy | Editing by | Barbara McLean

Starring | Tyrone Power, Maureen O'Hara, Laird Cregar

Cameras | Technicolor Cameras

Giant (1956)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 201 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence

Starring | Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker

Cameras | Mitchell BNC Camera

The Birth of a Nation (1915)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 195 Minutes

Directed by | D.W. Griffith | Cinematography by | G.W. Bitzer | Editing by | D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh

Starring | Lillian Gish, Mae Marsh, Henry B. Walthall, Miriam Cooper

Cameras | Pathé Cameras

Wonder Woman (2017)

Motion Picture | 3D | 2K Project | Color | 2.20:1, 2.39:1 | 141 Minutes

Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh

Starring | Gal Gadot, Chris Pine, Robin Wright

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses

Upgrade (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Leigh Whannell | Cinematography by | Stefan Duscio | Editing by | Andy Canny

Starring | Logan Marshall-Green, Melanie Vallejo, Steve Danielsen

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Towering Inferno (1974)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 165 Minutes

Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress

Starring | Paul Newman, Steve McQueen, William Holden, Faye Dunaway

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

The Mummy (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein

Starring | Tom Cruise, Sofia Boutella, Annabelle Wallis

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Happy Death Day (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 96 Minutes

Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin

Starring | Jessica Rothe, Israel Broussard, Ruby Modine

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

Bonnie and Clyde (1967)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 111 Minutes

Directed by | Arthur Penn | Cinematography by | Burnett Guffey | Editing by | Dede Allen

Starring | Warren Beatty, Faye Dunaway, Michael J. Pollard

Cameras | Mitchell BNCR Camera

Irreversible (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | Gaspar Noé | Cinematography by | Benoît Debie, Gaspar Noé | Editing by | Gaspar Noé

Starring | Monica Bellucci, Vincent Cassel, Albert Dupontel, Jo Prestia

Cameras | Aaton A-Minima Camera

Geostorm (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen

Starring | Gerard Butler, Jim Sturgess, Abbie Cornish

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Black Narcissus (1947)

Motion Picture | 2D | Color | 1.37:1 | 101 Minutes

Directed by | Michael Powell, Emeric Pressburger | Cinematography by | Jack Cardiff | Editing by | Reginald Mills

Starring | Deborah Kerr, David Farrar, Flora Robson

Cameras | Technicolor 3-Strip Camera

The Predator (2018)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Shane Black | Cinematography by | Larry Fong | Editing by | Harry B. Miller III

Starring | Boyd Holbrook, Trevante Rhodes, Jacob Tremblay

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Panavision Ultra Speed MKII Lenses

To Catch a Thief (1955)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 106 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | Cary Grant, Grace Kelly, Jessie Royce Landis, John Williams

Cameras | VistaVision Cameras

Spartacus (1960)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 197 Minutes

Directed by | Stanley Kubrick | Cinematography by | Russell Metty | Editing by | Robert Lawrence, Irving Lerner

Starring | Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton

Cameras | Technirama Camera

Apocalypse Now (1979)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.20:1, 2.39:1 | 147 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Starring | Martin Sheen, Marlon Brando, Robert Duvall

Cameras | ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Mitchell BNCR Camera

Lenses | Technovision Lenses, Todd-AO Lenses

I Think We’re Alone Now (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Peter Dinklage, Elle Fanning, Charlotte Gainsbourg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses

The Big Sleep (1946)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 114 Minutes

Directed by | Howard Hawks | Cinematography by | Sidney Hickox | Editing by | Christian Nyby

Starring | Humphrey Bogart, Lauren Bacall, John Ridgely

Tess (1979)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 186 Minutes

Directed by | Roman Polanski | Cinematography by | Ghislain Cloquet, Geoffrey Unsworth | Editing by | Alastair McIntyre, Tom Priestley

Starring | Nastassja Kinski, Peter Firth, Leigh Lawson

Cameras | Panavision Cameras

All About Eve (1950)

Motion Picture | 2D | Black & White | 1.37:1 | 138 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Milton R. Krasner | Editing by | Barbara McLean

Starring | Bette Davis, Anne Baxter, George Sanders

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