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Motion Picture | 11129 Titles

Motion Picture 2.67/5 54 Votes

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Doctor Zhivago (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 197 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Omar Sharif, Julie Christie, Geraldine Chaplin, Rod Steiger

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Skippy (1931)

Motion Picture | 2D | Film Project | Black & White | 85 Minutes

Directed by | Norman Taurog | Cinematography by | Karl Struss

Starring | Jackie Cooper, Robert Coogan, Mitzi Green

Cameras | Mitchell Cameras

Overboard (2018)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall

Starring | Eugenio Derbez, Anna Faris, Eva Longoria

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

A Letter to Three Wives (1949)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 103 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Arthur C. Miller | Editing by | J. Watson Webb Jr.

Starring | Jeanne Crain, Linda Darnell, Ann Sothern

Outlaw King (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | David Mackenzie | Cinematography by | Barry Ackroyd | Editing by | Jake Roberts

Starring | Chris Pine, Stephen Dillane, Rebecca Robin

Cameras | Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

The Treasure of the Sierra Madre (1948)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 126 Minutes

Directed by | John Huston | Cinematography by | Ted D. McCord | Editing by | Owen Marks

Starring | Humphrey Bogart, Walter Huston, Tim Holt

Cameras | Mitchell Cameras

Sunrise (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 94 Minutes

Directed by | F.W. Murnau | Cinematography by | Charles Rosher, Karl Struss | Editing by | Harold D. Schuster

Starring | George O'Brien, Janet Gaynor, Margaret Livingston

Cameras | Mitchell Standard Camera

Slender Man (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 93 Minutes

Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York

Starring | Joey King, Julia Goldani Telles, Jaz Sinclair

Cameras | Sony PMW-F55 Camera, Sony α7S II Camera

Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

Suspiria (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 152 Minutes

Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano

Starring | Chloë Grace Moretz, Tilda Swinton, Doris Hick

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

The Quiet Man (1952)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 129 Minutes

Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray

Starring | John Wayne, Maureen O'Hara, Barry Fitzgerald, Ward Bond

Cameras | Mitchell Cameras

Ocean’s Eight (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling

Starring | Sandra Bullock, Cate Blanchett, Anne Hathaway

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

A Place in the Sun (1951)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 122 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck

Starring | Montgomery Clift, Elizabeth Taylor, Shelley Winters, Anne Revere

The Graduate (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 106 Minutes

Directed by | Mike Nichols | Cinematography by | Robert Surtees | Editing by | Sam O'Steen

Starring | Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels

Cameras | ARRIFLEX 35 IIC Camera, Panavision Silent Reflex PSR Camera

Lenses | Angenieux Lenses, Panavision B Series Anamorphic Lenses

Midsommar (2019)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 147 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Florence Pugh, Jack Reynor, Vilhelm Blomgren, William Jackson Harper

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision Primo Artiste Lenses

The Grapes of Wrath (1940)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 129 Minutes

Directed by | John Ford | Cinematography by | Gregg Toland | Editing by | Robert L. Simpson

Starring | Henry Fonda, Jane Darwell, John Carradine, Charley Grapewin

Cameras | Mitchell Cameras

The Lighthouse (2019)

Motion Picture | 2D | Film Project | Black & White | 109 Minutes

Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford

Starring | Robert Pattinson, Willem Dafoe, Valeriia Karaman, Logan Hawkes

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Bausch & Lomb Lenses, Pathé Lenses

The Sun Is Also a Star (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Ry Russo-Young | Cinematography by | Autumn Durald Arkapaw | Editing by | Joe Landauer

Starring | Yara Shahidi, Anais Lee, Charles Melton

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Extremely Wicked, Shockingly Evil and Vile (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Joe Berlinger | Cinematography by | Brandon Trost | Editing by | Josh Schaeffer

Starring | Lily Collins, Zac Efron, Angela Sarafyan

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses

Hustlers (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Lorene Scafaria | Cinematography by | Todd Banhazl | Editing by | Kayla Emter

Starring | Constance Wu, Jennifer Lopez, Julia Stiles

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Panaspeed Series Lenses

Us (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jordan Peele | Cinematography by | Mike Gioulakis | Editing by | Nicholas Monsour

Starring | Lupita Nyong'o, Winston Duke, Elisabeth Moss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

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