Motion Picture | 11129 Titles
Black Panther: Wakanda Forever (2022)
Directed by | Ryan Coogler | Cinematography by | Autumn Durald Arkapaw | Editing by | Kelley Dixon, Jennifer Lame, Michael P. Shawver
Cameras | Sony CineAlta VENICE Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses
Wilson (1944)
Directed by | Henry King | Cinematography by | Leon Shamroy, Ernest Palmer | Editing by | Barbara McLean
Cameras | Technicolor 3-Strip Camera
Annihilation (2018)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Barney Pilling
Lenses | Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses
Mission: Impossible – Fallout (2018)
Directed by | Christopher McQuarrie | Cinematography by | Rob Hardy | Editing by | Eddie Hamilton
Cameras | ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses
Den of Thieves (2018)
Directed by | Christian Gudegast | Cinematography by | Terry Stacey | Editing by | David S. Cox, Joel Cox, Nathan Godley
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Prime Lenses
Vox Lux (2018)
Directed by | Brady Corbet | Cinematography by | Lol Crawley | Editing by | Matthew Hannam
Cameras | ARRICAM Lite (LT) Camera
Mean Streets (1973)
Directed by | Martin Scorsese | Cinematography by | Kent L. Wakeford | Editing by | Sidney Levin
Cameras | ARRIFLEX 35 BL Camera
Cries & Whispers (1972)
Bound for Glory (1976)
Directed by | Hal Ashby | Cinematography by | Haskell Wexler | Editing by | Pembroke J. Herring, Robert C. Jones
Lenses | Panavision Lenses
Thor: Ragnarok (2017)
Directed by | Taika Waititi | Cinematography by | Javier Aguirresarobe | Editing by | Zene Baker, Joel Negron
12 Strong (2018)
Directed by | Nicolai Fuglsig | Cinematography by | Rasmus Videbæk | Editing by | Lisa Lassek
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Assassination Nation (2018)
Directed by | Sam Levinson | Cinematography by | Marcell Rév | Editing by | Ron Patane
Cameras | ARRI ALEXA Mini Camera
Reds (1981)
Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Dede Allen, Craig McKay
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Lost River (2014)
Directed by | Ryan Gosling | Cinematography by | Benoît Debie | Editing by | Nico Leunen, Valdís Óskarsdóttir
Lenses | Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Spring Breakers (2012)
Directed by | Harmony Korine | Cinematography by | Benoît Debie | Editing by | Douglas Crise
Cameras | ARRICAM Lite (LT) Camera
Leave Her to Heaven (1945)
Directed by | John M. Stahl | Cinematography by | Leon Shamroy | Editing by | James B. Clark
Cameras | Technicolor 3-Strip Camera
A Farewell to Arms (1932)
Directed by | Frank Borzage | Cinematography by | Charles Lang | Editing by | Otho Lovering, George Nicholls Jr.
Napoleon (1927)
Directed by | Abel Gance | Cinematography by | Léonce-Henri Burel, Jules Kruger, Joseph-Louis Mundwiller, Nikolai Toporkoff | Editing by | Abel Gance, Frank Hall
Cameras | Debrie Parvo Model K Camera
8-Bit Christmas (2021)
Barbie (2023)
Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Lenses, Panavision System 65 Lenses
