Motion Picture | 11129 Titles
Bad Girl (1931)
Fight Club (1999)
Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | James Haygood
Cameras | Panavision Panaflex Platinum Camera
The Pacifier (2005)
Star Wars: Episode I – The Phantom Menace (1999)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith
Lenses | Hawk C-Series Lenses
Star Wars: Episode II – Attack of the Clones (2002)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas
Cameras | Sony HDW-F900 Camera
Lenses | Panavision Primo Anamorphic Lenses
Star Wars: Episode III – Revenge of the Sith (2005)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt
Cameras | Sony HDC-F950 Camera
Star Wars: Episode IV – A New Hope (1977)
Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas
Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200
Star Wars: Episode V – The Empire Strikes Back (1980)
Directed by | Irvin Kershner | Cinematography by | Peter Suschitzky | Editing by | T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200
Star Wars: The Force Awakens (2015)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Star Wars: Episode IX – The Rise of Skywalker (2019)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Stefan Grube
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses
Star Wars: Episode VIII – The Last Jedi (2017)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Broken Eyes (2023)
Directed by | Eveshka Ghost
Cameras | Sony α7S Camera
Lenses | KMZ Helio 44-2 58 mm f2 Lens, Samyang Lenses
White Blood (2023)
Directed by | Richard Williams | Cinematography by | Mark Brightwell
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 25 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens
King Solomon’s Mines (1950)
Directed by | Compton Bennett, Andrew Marton | Cinematography by | Robert Surtees | Editing by | Conrad A. Nervig, Ralph E. Winters
Cameras | Technicolor 3-Strip Camera
Blindspotting (2018)
Directed by | Carlos López Estrada | Cinematography by | Robby Baumgartner | Editing by | Gabriel Fleming
Bad Times at the El Royale (2018)
Ryan’s Daughter (1970)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage
Cameras | Super Panavision-70 Camera
Lenses | Panavision Lenses
Fiddler on the Roof (1971)
Directed by | Norman Jewison | Cinematography by | Oswald Morris | Editing by | Antony Gibbs, Robert Lawrence
Cameras | Panavision Silent Reflex PSR Camera
Upstream Color (2013)
Directed by | Shane Carruth | Cinematography by | Shane Carruth | Editing by | Shane Carruth, David Lowery
Cameras | Panasonic Lumix DMC-GH2 Camera
The Wizard of Oz (1939)
Directed by | Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor | Cinematography by | Harold Rosson | Editing by | Blanche Sewell
