Motion Picture | 11129 Titles
Molly’s Game (2017)
Directed by | Aaron Sorkin | Cinematography by | Charlotte Bruus Christensen | Editing by | Alan Baumgarten, Elliot Graham, Josh Schaeffer
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Blood and Sand (1941)
Directed by | Rouben Mamoulian | Cinematography by | Ernest Palmer, Ray Rennahan | Editing by | Robert Bischoff
Cameras | Technicolor 3-Strip Camera
Joan of Arc (1948)
Directed by | Victor Fleming | Cinematography by | Winton C. Hoch, William V. Skall, Joseph A. Valentine | Editing by | Frank Sullivan
Cameras | Technicolor 3-Strip Camera
My Friend Dahmer (2017)
Directed by | Marc Meyers | Cinematography by | Daniel Katz | Editing by | Jamie Kirkpatrick
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision Primo Anamorphic Lenses
The BFG (2016)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRI ALEXA XT Series Cameras
Game Night (2018)
Directed by | John Francis Daley, Jonathan Goldstein | Cinematography by | Barry Peterson | Editing by | David Egan, Jamie Gross, Gregory Plotkin
Lenses | Cooke S4/i Lenses
The Sisters Brothers (2018)
Directed by | Jacques Audiard | Cinematography by | Benoît Debie | Editing by | Juliette Welfling
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses
The Nun (2018)
Directed by | Corin Hardy | Cinematography by | Maxime Alexandre | Editing by | Michel Aller, Ken Blackwell
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Godzilla Minus One (2023)
Directed by | Takashi Yamazaki | Cinematography by | Kôzô Shibasaki | Editing by | Ryûji Miyajima
Cameras | Sony CineAlta VENICE Camera
Shane (1953) 
Directed by | George Stevens | Cinematography by | Loyal Griggs | Editing by | William Hornbeck, Tom McAdoo
Cameras | Technicolor 3-Strip Camera
Portrait of a Lady on Fire (2019)
Directed by | Céline Sciamma | Cinematography by | Claire Mathon | Editing by | Julien Lacheray
Cameras | Red Monstro 8K Camera
Lenses | Leitz THALIA Series Lenses
The Protectors (2020)
Top Gun: Maverick (2022)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Eddie Hamilton
Cameras | Sony CineAlta VENICE Camera
Hold the Dark (2018)
Directed by | Jeremy Saulnier | Cinematography by | Magnus Nordenhof Jønck | Editing by | Julia Bloch
Cameras | Red Epic Dragon Camera
Lenses | Hawk V-Plus Lenses
Shanghai Express (1932)
Directed by | Josef von Sternberg | Cinematography by | Lee Garmes, James Wong Howe | Editing by | Frank Sullivan
The End of the Dial (2021)
Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley
Cameras | Sony PXW-FS9 Camera
The Spy Who Dumped Me (2018)
Directed by | Susanna Fogel | Cinematography by | Barry Peterson | Editing by | Jonathan Schwartz
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Sya (2018)
Directed by | Daniel Sowter | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier, Marie Paice
Cameras | Blackmagic Pocket Cinema Camera
Badlands (1973)
Directed by | Terrence Malick | Cinematography by | Tak Fujimoto, Stevan Larner, Brian Probyn | Editing by | Robert Estrin, Billy Weber
Cameras | Mitchell BNCR Camera
Ford v Ferrari (2019)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt
Cameras | ARRI ALEXA LF Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses
