Visual Effects Supervisor: Digiscope
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Visual Effects Supervisor: Sigiscope
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Digital Effects Supervisor: Digiscope
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Visual Effects: Digiscope
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Additional Visual Effects Supervisor: Digiscope
Push (2009)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
Visual Effects Supervisor: Digiscope
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: Digiscope
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Visual Effects Supervisor: Digiscope
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Visual Effects Supervisor: Digiscope
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Visual Effects Supervisor: Digiscope
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Visual Effects Supervisor: Digiscope
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Digital Visual Effects Supervisor: Digiscope / Visual Effects Supervisor: Digiscope
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Visual Effects Supervisor: Digiscope
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Digiscope
View from the Top (2003)
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Visual Effects Supervisor: Digiscope
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Digiscope
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Digital Supervisor: Digiscope
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Digiscope
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Visual Effects Supervisor: Digiscope
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Digital Effects Assistant / Digital Visual Effects Supervisor: Digiscope
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Digital Effects Supervisor: Digiscope
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Visual Effects Supervisor: Digiscope
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Digital Effects Supervisor: Digiscope
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Digital Effects Supervisor: Digiscope
Most Wanted (1997)
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
Digital Effects Producer: Digiscope
8 Heads in a Duffel Bag (1997)
Directed by: Tom Schulman
Cinematography by: Adam Holender
Edited by: David Holden
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Imaging Supervisor: Digiscope
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Digital Imaging Supervisor: Digiscope
Kingpin (1996)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Digital Imaging Supervisor: Digiscope
The Crow: City of Angels (1996)
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
Digital Imaging Supervisor: Digiscope
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Digital Imaging Supervisor: Digiscope
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Digital Artist: D.Rez Hollywood
Wild Bill (1995)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Digital Effects Compositor
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Domino Artist: CRC
Stargate (1994)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Optical Supervisor: CRC
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Optical Camera
Madonna: Truth or Dare (1991)
Directed by: Alek Keshishian
Edited by: Barry Alexander Brown
Optical Cameraman: CRC
Born on the Fourth of July (1989)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras, Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Moviola Editing System
Animation Cameraman: Movie Magic
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Animation Cameraman: Movie Magic
The Day After (1983)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Cameras: Panavision Cameras
Roto Artist
The Last Waltz (1978)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Roto Artist
Grease (1978)
Directed by: Randal Kleiser
Cinematography by: Bill Butler
Edited by: John F. Burnett
Cameras: Panavision Cameras
Lenses: Panavision Lenses
