Studio Crew: Legacy Effects
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Special Effects: Legacy Effects
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Prop Snake Creation
Keanu (2016)
Directed by: Peter Atencio
Cinematography by: Jas Shelton
Edited by: Nicholas Monsour
Key Prosthetics And Suit Effects Crew: Legacy Effects
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Mold/casting Technician: Legacy Effects
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Mold Department: Legacy Effects
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Key Artist: Legacy Effects
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Makeup Effects Crew
The Collection (2012)
Directed by: Marcus Dunstan
Cinematography by: Sam McCurdy
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Replica And Animatronic Animals: Legacy Effects
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Mold Casting Technician: Legacy Effects
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Mold/technical Department: Legacy Effects
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Key Technician: Legacy Effects
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Mold Department: KNB EFX GROUP, INC.
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Special Makeup Effects Crew
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Mold And Lab Crew: KNB EFX Group
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
Mold/technical Department: Stan Winston Studio
Pandorum (2009)
Directed by: Christian Alvart
Cinematography by: Wedigo von Schultzendorff
Scarred Naked Man, Special Makeup Effects Technician
Autopsy (2008)
Directed by: Adam Gierasch
Cinematography by: Anthony B. Richmond
Edited by: Andrew Cohen
Mold Department: K.N.B. Effects Group
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Mold Maker
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mold Department: KNB EFX Group
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Mold Maker: K.N.B. EFX Group
The Hitcher (2007)
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Special Makeup Effects Mold Maker: K.N.B. EFX Group, Inc.
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Key Technician: Stan Winston Studio
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Key Special Effects Technician: Stan Winston Studio
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Key Technician: Stan Winston Studio
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Mold Maker
Hellraiser: Deader (2005)
Directed by: Rick Bota
Cinematography by: Vivi Dragan Vasile
Edited by: Anthony Adler
Mold Maker
The Prophecy: Forsaken (2005)
Directed by: Joel Soisson
Cinematography by: Gabriel Kosuth
Edited by: Kirk M. Morri
Mold Maker
Hellraiser: Hellworld (2005)
Directed by: Rick Bota
Cinematography by: Gabriel Kosuth
Edited by: Anthony Adler
Makeup Effects Mold Supervisor
Hellraiser: Hellseeker (2002)
Directed by: Rick Bota
Cinematography by: John Drake
Special Effects Makeup Crew
Hellraiser: Inferno (2000)
Directed by: Scott Derrickson
Cinematography by: Nathan Hope
Edited by: Kirk M. Morri
Effects Crew: Cannom Creations
Idle Hands (1999)
Directed by: Rodman Flender
Cinematography by: Christopher Baffa
Edited by: Stephen E. Rivkin
Effects Technician: Cannom Creations
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Effects Technician: Cannom Creations
8 Heads in a Duffel Bag (1997)
Directed by: Tom Schulman
Cinematography by: Adam Holender
Edited by: David Holden
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Lab Technician: Cannom Creations
Space Truckers (1996)
Directed by: Stuart Gordon
Cinematography by: Mac Ahlberg
Edited by: John Victor Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
T.V. Booster / Puppeteer
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
