Consultant: Dolby
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Consultant: Dolby Atmos
Swiss Army Man (2016)
Cinematography by: Larkin Seiple
Edited by: Matthew Hannam
Consultant: Dolby Atmos
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Consultant: Dolby Atmos
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Dolby Consultant
The Baytown Outlaws (2012)
Directed by: Barry Battles
Cinematography by: David McFarland
Edited by: Sean Valla
Cameras: Red One Camera
Dolby Sound Consultant
Promised Land (2012)
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Consultant: Dolby Atmos
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Dolby Sound Consultant
Kill the Irishman (2011)
Directed by: Jonathan Hensleigh
Cinematography by: Karl Walter Lindenlaub
Edited by: Douglas Crise
Sound Consultant: Dolby
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Sound Consultant: Dolby
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Sound Consultant: Dolby
Appaloosa (2008)
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
Sound Consultant: Dolby
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Sound Consultant: Dolby
The Burning Plain (2008)
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Sound Consultant: Dolby
Choke (2008)
Directed by: Clark Gregg
Cinematography by: Tim Orr
Edited by: Joe Klotz
Sound Consultant
The Condemned (2007)
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Sound Consultant: Dolby
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Consultant: Dolby Film Sound
The Hitcher (2007)
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Sound Consultant: Dolby
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Sound Consultant: Dolby
The Good Night (2007)
Directed by: Jake Paltrow
Cinematography by: Giles Nuttgens
Edited by: Rick Lawley
Sound Consultant: Dolby
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Consultant: Dolby Film Sound
Nacho Libre (2006)
Directed by: Jared Hess
Cinematography by: Xavier Grobet
Edited by: Billy Weber
Sound Consultant: Dolby
Outsourced (2006)
Directed by: John Jeffcoat
Cinematography by: Teodoro Maniaci
Edited by: Brian Berdan
Consultant: Dolby
How to Eat Fried Worms (2006)
Directed by: Bob Dolman
Cinematography by: Richard Rutkowski
Song Consultant
After... (2006)
Directed by: David L. Cunningham
Cinematography by: Haole Boy
Cameras: Sony HVR-Z1U Camera
Sound Consultant: Dolby
The Pink Panther (2006)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Sound Consultant: Dolby
Mozart and the Whale (2005)
Directed by: Petter Næss
Cinematography by: Svein Krøvel
Sound Consultant: Dolby
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Consultant: Dolby Film Sound
Dave Chappelle's Block Party (2005)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Consultant: Dolby Film Sound
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Consultant: Dolby Sound
Me and You and Everyone We Know (2005)
Directed by: Miranda July
Cinematography by: Chuy Chávez
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Consultant: Dolby Sound
Shall We Dance (2004)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Cameras: ARRI Cameras
Consultant: Dolby Film Sound
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Stereo Sound Consultant: Dolby
Pitcher and the Pin-Up (2003)
Directed by: Drew Johnson
Cinematography by: Doug Glover
Edited by: Drew Johnson
Sound Consultant: Dolby
Out of the Ashes (2003)
Directed by: Joseph Sargent
Cinematography by: Donald M. Morgan
Edited by: Michael Brown
Consultant: Dolby Film Sound
I Am David (2003)
Directed by: Paul Feig
Cinematography by: Roman Osin
Edited by: Steven Weisberg
Sound Consultant: Dolby
A Guy Thing (2003)
Directed by: Chris Koch
Cinematography by: Robbie Greenberg
Edited by: David Moritz
Sound Consultant: Dolby
I'll Be There (2003)
Directed by: Craig Ferguson
Cinematography by: Ian Wilson
Edited by: Sheldon Kahn
Sound Consultant: Dolby
Agent Cody Banks (2003)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Jim Miller
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Consultant: Dolby Film Sound
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Sound Consultant: Dolby
Home Room (2002)
Directed by: Paul F. Ryan
Cinematography by: Rebecca Baehler
Edited by: Paul F. Ryan
Sound Consultant: Dolby
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Stereo Sound Consultant: Dolby
Dr. T & the Women (2000)
Directed by: Robert Altman
Cinematography by: Jan Kiesser
Edited by: Geraldine Peroni
Stereo Sound Consultant: Dolby Stereo
The Whole Nine Yards (2000)
Directed by: Jonathan Lynn
Cinematography by: David Franco
Edited by: Tom Lewis
Stereo Sound Consultant: Dolby
What Women Want (2000)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Consultant: Dolby Film Sound
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Sound Consultant: Dolby
Panic (2000)
Directed by: Henry Bromell
Cinematography by: Jeffrey Jur
Cameras: Panavision Cameras
Stereo Sound Consultant: Dolby
Drowning Mona (2000)
Directed by: Nick Gomez
Cinematography by: Bruce Douglas Johnson
Edited by: Richard Pearson
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Stereo Sound Consultant: Dolby
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Sound Consultant: Dolby
Get Carter (2000)
Directed by: Stephen Kay
Cinematography by: Mauro Fiore
Edited by: Gerald B. Greenberg
Stereo Sound Consultant: Dolby
Where the Money Is (2000)
Directed by: Marek Kanievska
Cinematography by: Thomas Burstyn
Stereo Sound Consultant: Dolby
Speed of Life (1999)
Directed by: Rob Schmidt
Cinematography by: Matthew Libatique
Edited by: Gabriel Wrye
