A Camera Operator
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Camera Operator - Segment "Happy Birthday"
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Camera Operator: Los Angeles / Underwater Director Of Photography: Los Angeles
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Camera Operator: "b" Camera
Ted (2012)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera
Editing System: Avid Editing System
Underwater Camera Operator / Underwater Director Of Photography
This Is 40 (2012)
Directed by: Judd Apatow
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA Camera
Additional Camera Operator
A Better Life (2011)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Camera Operator: "b" Camera / Director Of Photography: Second Unit / Underwater Director Of Photography
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Camera Operator: "b" Camera
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Camera Operator
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Camera Operator
'Lost' The Substitute (2010)
Directed by: Tucker Gates
Cinematography by: John S. Bartley
Edited by: Christopher Nelson
Camera Operator
'Lost' What Kate Does (2010)
Directed by: Paul A. Edwards
Cinematography by: Stephen St. John
Edited by: Christopher Nelson
Camera Operator
'Lost' LA X - Part 1 (2010)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Additional Second Assistant Camera: Los Angeles Shoot
ExTerminators (2009)
Directed by: John Inwood
Cinematography by: Robby Baumgartner
Edited by: Gordon Grinberg
Camera Operator: "a" Camera - 1 Episode, 2009
Dollhouse (2009)
Directed by: David Solomon, Joss Whedon, Tim Minear, Félix Enríquez Alcalá, Dwight H. Little, David Straiton, John Cassaday, James A. Contner, Steven S. DeKnight, Jonathan Frakes, Marita Grabiak, Rod Hardy, Elodie Keene, Allan Kroeker, Wendey Stanzler, Terrence O'Hara
Edited by: Peter Basinski, Paul Trejo, Elena Maganini, Harry B. Miller III, Sunny Hodge, George Pilkinton
Lenses: Panavision Lenses
Camera Operator: "b" Camera
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Camera Operator: "b" Camera, Los Angeles
It's Complicated (2009)
Directed by: Nancy Meyers
Cinematography by: John Toll
Camera Operator: "a" Camera
'Dollhouse' Vows (2009)
Directed by: Joss Whedon
Cinematography by: Lisa Wiegand
Edited by: Peter Basinski
Camera Operator
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Underwater Director Of Photography
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Camera
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Camera Operator: Underwater Unit
King of California (2007)
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
Camera Operator: "b" Camera / Director Of Photography: Second Unit
Gone Baby Gone (2007)
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Camera Operator , Director Of Photography: Second Unit
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Camera Operator - 3 Episodes, 2010
Lost (2004)
Directed by: Jack Bender, Stephen Williams, Paul A. Edwards, Tucker Gates, Eric Laneuville, Greg Yaitanes, Bobby Roth, Kevin Hooks, J.J. Abrams, Daniel Attias, Rod Holcomb, Karen Gaviola, Stephen Semel, Marita Grabiak, Michael Zinberg, Adam Davidson, David Grossman, Robert Mandel, Alan Taylor, Matt Earl Beesley, Roxann Dawson, Deran Sarafian, Paris Barclay, Frederick E.O. Toye, Mark Goldman, Mario Van Peebles
Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei
Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Operator
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Water Camera Operator
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Camera Operator
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Camera Operator
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Director Of Photography: Underwater Unit
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Underwater Director Of Photography
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Director Of Photography: Underwater Unit
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography: Underwater Unit
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Camera Operator
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Underwater Camera Operator
The General's Daughter (1999)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Camera Operator / Director Of Photography: Second Unit
Simpatico (1999)
Directed by: Matthew Warchus
Cinematography by: John Toll
Camera Loader: Los Angeles
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Underwater Camera Operator
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Camera Operator: Los Angeles Post-production Unit
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Underwater Camera Operator: California
I Know What You Did Last Summer (1997)
Directed by: Jim Gillespie
Cinematography by: Denis Crossan
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
First Assistant Camera
The Rainmaker (1997)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
First Assistant Camera
Jack (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
First Assistant Camera: Second Unit
Barb Wire (1996)
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
First Assistant Photographer
Jennifer 8 (1992)
Directed by: Bruce Robinson
Cinematography by: Conrad L. Hall
Edited by: Conrad Buff IV
Cameras: Panavision Panaflex Platinum Camera
First Assistant Camera: "b" Camera
Die Hard 2 (1990)
Directed by: Renny Harlin
Cinematography by: Oliver Wood
Assistant Camera: Second Unit
Scenes from the Class Struggle in Beverly Hills (1989)
Directed by: Paul Bartel
Cinematography by: Steven Fierberg
Edited by: Alan Toomayan
Second Assistant Camera
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Second Assistant Camera
The Milagro Beanfield War (1988)
Directed by: Robert Redford
Cinematography by: Robbie Greenberg
First Assistant Camera
Her Secret Life (1987)
Directed by: Buzz Kulik
Cinematography by: James Crabe
Edited by: Les Green
Second Assistant Camera
Black Widow (1987)
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Camera Assistant
Pale Rider (1985)
Directed by: Clint Eastwood
Cinematography by: Bruce Surtees
Edited by: Joel Cox
Camera Trainee
Doctor Detroit (1983)
Directed by: Michael Pressman
Cinematography by: King Baggot
Edited by: Christopher Greenbury
