Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #2.1 (2019)
| USA
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #2.2 (2019)
| USA
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #1.8 (2017)
| USA
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 54 (2017)
| USA
Directed by: Daniel Minahan
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 61 (2017)
| USA
Directed by: Roxann Dawson
Cinematography by: David M. Dunlap
Edited by: Katherine Skjerping
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 53 (2017)
| USA
Directed by: Daniel Minahan
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #1.3 (2017)
| USA
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 57 (2017)
| USA
Directed by: Michael Morris
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 64 (2017)
| USA
Directed by: Robin Wright
Cinematography by: David M. Dunlap
Edited by: Michael Ruscio
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #1.6 (2017)
| USA
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Visual Effects Executive: Ollin VFX - 12 Episodes, 2017-2019
Mindhunter (2017)
| USA
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 60 (2017)
| USA
Directed by: Roxann Dawson
Cinematography by: David M. Dunlap
Edited by: Katherine Skjerping
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #1.4 (2017)
| USA
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 56 (2017)
| USA
Directed by: Alik Sakharov
Cinematography by: Tim Norman
Edited by: Byron Smith
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 63 (2017)
| USA
Directed by: Agnieszka Holland
Cinematography by: Tim Norman
Edited by: Lisa Bromwell
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #1.5 (2017)
| USA
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #1.9 (2017)
| USA
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 59 (2017)
| USA
Directed by: Alik Sakharov
Cinematography by: Tim Norman
Edited by: Yuka Shirasuna
Visual Effects Executive: Ollin VFX
Bright (2017)
| USA
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #1.1 (2017)
| USA
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #1.7 (2017)
| USA
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 55 (2017)
| USA
Directed by: Alik Sakharov
Cinematography by: Tim Norman
Edited by: Byron Smith
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 62 (2017)
| USA
Directed by: Agnieszka Holland
Cinematography by: Tim Norman
Edited by: Lisa Bromwell
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #1.2 (2017)
| USA
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Visual Effects Executive: Ollin VFX
'Mindhunter' Episode #1.10 (2017)
| USA
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 58 (2017)
| USA
Directed by: Michael Morris
Cinematography by: David M. Dunlap
Edited by: Lisa Bromwell
Visual Effects Executive: Ollin VFX
'House of Cards' Chapter 65 (2017)
| USA
Directed by: Robin Wright
Cinematography by: David M. Dunlap
Edited by: Michael Ruscio
Visual Effects Executive: Ollin VFX
Suicide Squad (2016)
| USA
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Visual Effects Executive: Ollin VFX
Deadpool (2016)
| USA
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Visual Effects Executive: Ollin VFX
Chappie (2015)
| South Africa, USA
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Visual Effects Executive: Ollin VFX
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Visual Effects Executive: Ollin VFX / Visual Effects Executive: Ollin VFX
Gone Girl (2014)
| USA
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leica Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Visual Effects Executive: Ollin VFX
X-Men: Days of Future Past (2014)
| USA, UK, Canada
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Visual Effects Executive: Ollin VFX
After Earth (2013)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Visual Effects Executive: Ollin VFX - 13 Episodes, 2017
House of Cards (2013)
| USA
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Visual Effects Executive: Ollin VFX
Ted (2012)
| USA
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera
Editing System: Avid Editing System
Visual Effects Executive: Ollin VFX
Rock of Ages (2012)
| USA
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Visual Effects Executive: Ollin VFX
Red Tails (2012)
| USA
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Visual Effects Executive: Ollin VFX
Pirates of the Caribbean: On Stranger Tides (2011)
| USA, UK
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects Executive: Ollin VFX
The Girl with the Dragon Tattoo (2011)
| USA, Sweden, Norway
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Visual Effects Executive: Ollin VFX
The Last Airbender (2010)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Visual Effects Executive: Ollin VFX
Tron (2010)
| USA
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Visual Effects Executive: Ollin VFX
The Curious Case of Benjamin Button (2008)
| USA
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Visual Effects Executive: Ollin VFX
The Burning Plain (2008)
| USA, Argentina
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Visual Effects Executive: Ollin VFX
The Spirit (2008)
| USA
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Visual Effects Executive: Ollin VFX
Zodiac (2007)
| USA
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Visual Effects Executive: Ollin VFX
KM 31: Kilómetro 31 (2006)
| Mexico, Spain
Directed by: Rigoberto Castañeda
Cinematography by: Alejandro Martínez
Edited by: Alberto de Toro
Visual Effects Executive: Ollin VFX
Efectos secundarios (2006)
| Mexico
Directed by: Issa López
Cinematography by: Carlos Aguilera
Edited by: Jorge García
