Technocrane Operator: Additional Photography
F9 (2021)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lenses: Tokina Vista Cinema Prime Lenses
Technocrane Operator: Additional Photography
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Technocrane Technician
'True Blood' The Sun (2013)
Directed by: Daniel Attias
Cinematography by: Romeo Tirone
Edited by: Michael Ruscio
Technocrane Operator
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Technocrane Operator
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Technocrane Technician
'True Blood' Turn! Turn! Turn! (2012)
Directed by: Daniel Minahan
Cinematography by: David Klein
Edited by: Michael Ruscio
Technocrane Operator
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Technocrane Operator
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Technocrane Operator
'True Blood' She's Not There (2011)
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Michael Ruscio
Technocrane Tech
'True Blood' I'm Alive and on Fire (2011)
Directed by: Michael Lehmann
Cinematography by: David Klein
Technocrane Operator
'True Blood' I Wish I Was the Moon (2011)
Directed by: Jeremy Podeswa
Cinematography by: David Klein
Edited by: Louise Innes
Technocrane Technician
'True Blood' Burning Down the House (2011)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Edited by: Michael Ruscio
Technocrane Technician
'True Blood' And When I Die (2011)
Directed by: Scott Winant
Cinematography by: David Klein
Edited by: Louise Innes
Technocrane Operator
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Technocrane Technician
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Technocrane Operator
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Libra Head Technician
500 Days of Summer (2009)
Directed by: Marc Webb
Cinematography by: Eric Steelberg
Edited by: Alan Edward Bell
Lenses: Panavision Lenses
Technocrane Operator
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Technocrane Technician / Technocrane Operator / Technocrane Tech - 7 Episodes, 2011-2013
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Technocrane Operator
Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Techno Crane Operator
Keeping Up with the Steins (2006)
Directed by: Scott Marshall
Cinematography by: Charles Minsky
Edited by: Tara Timpone
Sound Designer
Bobby Jones: Stroke of Genius (2004)
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Crane Operator: Technocrane
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Crane Operator: Technocrane
Donnie Darko (2001)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Crane Operator: Panavision
Eyeball Eddie (2001)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Matthew Jensen
Technocrane Operator
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Sound Effects Editor
One Man's Hero (1999)
Directed by: Lance Hool
Cinematography by: João Fernandes
Edited by: Mark Conte
Sound Recordist
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Sound Editor
City of Industry (1997)
Directed by: John Irvin
Cinematography by: Thomas Burstyn
Edited by: Mark Conte
Sound Effects Editor
The Associate (1996)
Directed by: Donald Petrie
Cinematography by: Alex Nepomniaschy
Edited by: Bonnie Koehler
Sound Effects Editor
Bad Company (1995)
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Stuart H. Pappé
Digital Sound Effects Editor
Cutthroat Island (1995)
Directed by: Renny Harlin
Cinematography by: Peter Levy
Sound Effects Editor
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Sound Effects Editor
Fair Game (1995)
Directed by: Andrew Sipes
Cinematography by: Richard Bowen
Cameras: Panavision Cameras
Sound Effects Editor
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Sound Effects Editor
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Sound Effects Editor
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Second Assistant Camera
The Disappearance of Christina (1993)
Directed by: Karen Arthur
Cinematography by: Tom Neuwirth
Edited by: Caroline Biggerstaff
Sound Effects Editor: US Version
Armour of God 2: Operation Condor (1991)
Directed by: Jackie Chan
Cinematography by: Arthur Wong