Foley Editor
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Foley Editor
BlacKkKlansman (2018)
Directed by: Spike Lee
Cinematography by: Chayse Irvin
Edited by: Barry Alexander Brown
Foley Editor
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Foley Editor
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Foley Editor
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Foley Editor
The We and the I (2012)
Directed by: Michel Gondry
Cinematography by: Alex Disenhof
Edited by: Jeff Buchanan
Foley Editor
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Foley Editor
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Foley Editor
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Foley Editor
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Foley Editor
Jack Goes Boating (2010)
Directed by: Philip Seymour Hoffman
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Lenses: Cooke S4 Lenses
Foley Editor
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Supervising Foley Editor
Julie & Julia (2009)
Directed by: Nora Ephron
Cinematography by: Stephen Goldblatt
Edited by: Richard Marks
Supervising Foley Editor
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Foley Editor
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Foley Editor
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Foley Editor
What Just Happened (2008)
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Foley Supervisor
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Foley Editor
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Foley Editor
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Foley Editor
The Brave One (2007)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Supervising Foley Editor
Fur: An Imaginary Portrait of Diane Arbus (2006)
Directed by: Steven Shainberg
Cinematography by: Bill Pope
Foley Editor
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Foley Editor
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Foley Editor
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Foley Editor
Capote (2005)
Directed by: Bennett Miller
Cinematography by: Adam Kimmel
Edited by: Christopher Tellefsen
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Foley Editor
Brokeback Mountain (2005)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Foley Editor
North Country (2005)
Directed by: Niki Caro
Cinematography by: Chris Menges
Edited by: David Coulson
Foley Editor
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Foley Supervisor
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Foley Editor
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Foley Editor
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Foley Supervisor
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Foley Editor
25th Hour (2002)
Directed by: Spike Lee
Cinematography by: Rodrigo Prieto
Edited by: Barry Alexander Brown
Lenses: Zeiss Ultra Prime Lenses
Foley Editor
Wit (2001)
Directed by: Mike Nichols
Cinematography by: Seamus McGarvey
Edited by: John Bloom
Supervising Foley Editor
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Foley Editor
Bamboozled (2000)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Samuel D. Pollard
Foley Editor
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Foley Supervisor
Limbo (1999)
Directed by: John Sayles
Cinematography by: Haskell Wexler
Edited by: John Sayles
Foley Editor
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Foley Supervisor
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Foley Editor
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Foley Supervisor
Celebrity (1998)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Foley Editor
The Object of My Affection (1998)
Directed by: Nicholas Hytner
Cinematography by: Oliver Stapleton
Edited by: Tariq Anwar
Foley Editor
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Foley Editor
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Foley Editor
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Foley Editor
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Foley Editor
The Ice Storm (1997)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Foley Editor
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Foley Editor
Deconstructing Harry (1997)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Foley Editor
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Foley Editor
Get on the Bus (1996)
Directed by: Spike Lee
Cinematography by: Elliot Davis
Edited by: Leander T. Sales
Foley Editor
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Foley Editor
Girl 6 (1996)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Samuel D. Pollard
Foley Editor
Everyone Says I Love You (1996)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Foley Editor
Lone Star (1996)
Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles
Foley Editor
Dead Man (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
Foley Editor
Kiss of Death (1995)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Cameras
Foley Editor
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Assistant Sound Editor
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Assistant Sound Editor
Consenting Adults (1992)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Edited by: Sam O'Steen
Cameras: Panavision Panaflex Platinum Camera
Assistant Sound Editor
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Assistant Sound Editor
Presumed Innocent (1990)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Evan A. Lottman
Assistant Sound Editor
Reversal of Fortune (1990)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Assistant Sound Editor
She-Devil (1989)
Directed by: Susan Seidelman
Cinematography by: Oliver Stapleton
Edited by: Craig McKay
Cameras: Panavision Cameras
Assistant Sound Editor
Little Monsters (1989)
Directed by: Richard Greenberg
Cinematography by: Dick Bush
Edited by: Patrick McMahon
Assistant Sound Editor
Orphans (1987)
Directed by: Alan J. Pakula
Cinematography by: Donald McAlpine
Edited by: Evan A. Lottman
