Compositing Supervisor: Evil Eye Pictures / Roto/paint Supervisor: Evil Eye Pictures / Visual Effects Editor: Evil Eye Pictures
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Roto/paint Supervisor: Evil Eye Pictures / Visual Effects Editor: Evil Eye Pictures
Cirque du Soleil: Worlds Away (2012)
Directed by: Andrew Adamson
Cinematography by: Brett Turnbull
Cameras: Sony HDC-1500 Camera
Roto/paint Supervisor: Evil Eye Pictures / Visual Effects Editor: Evil Eye Pictures
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Visual Effects Editor: Evil Eye Pictures
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Roto/paint Supervisor: Evil Eye Pictures / Visual Effects Editor: Evil Eye Pictures
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Second Visual Effects Supervisor
Hick (2011)
Directed by: Derick Martini
Cinematography by: Frank Godwin
Edited by: Mark Yoshikawa
Visual Effects Support Staff: Evil Eye Pictures
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Visual Effects Editor: Evil Eye Pictures
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Colorist: Polygon Entertainment
Chawu (2009)
Directed by: Jeong-won Shin
Cinematography by: Barry Stone
Edited by: Jae-geun Choi
Colorist: The Orphanage
I Love You, Beth Cooper (2009)
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Associate Visual Effects Supervisor: The Orphanage / Lead Colorist: The Orphanage
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Rotoscope Supervisor: The Orphanage, Inc.
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Rotoscope/paint Supervisor: The Orphanage
In the Name of the King: A Dungeon Siege Tale (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
Rotoscope Supervisor: The Orphanage
Grindhouse (2007)
Rotoscope Supervisor: The Orphanage
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Roto/paint Supervisor: The Orphanage
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Paint Supervisor: The Orphanage / Rotoscope Supervisor: The Orphanage
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Roto/paint Supervisor: The Orphanage
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Roto/paint Supervisor: The Orphanage
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Rotoscope Supervisor: The Orphanage
Pulse (2006)
Directed by: Jim Sonzero
Cinematography by: Mark Plummer
Rotoscope Supervisor
The Host (2006)
Directed by: Joon-ho Bong
Cinematography by: Hyung-ku Kim
Edited by: Sun-min Kim
Roto/paint Supervisor: The Orphanage
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Rotoscope Supervisor: The Orphanage
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Rotoscope Supervisor: The Orphanage
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Rotoscope Supervisor: The Orphanage
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Rotoscope Supervisor: The Orphanage
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Digital Compositor / Roto/paint Supervisor: The Orphanage
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Compositing Supervisor: The Orphanage
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Digital Artist: The Orphanage
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Roto/paint Supervisor: The Orphanage
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Compositor: The Orphanage
Ying xiong (2002)
Directed by: Yimou Zhang
Cinematography by: Christopher Doyle
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Lenses, Cooke Lenses
Magic Bullet Colorist: The Orphanage
Chelsea Walls (2001)
Directed by: Ethan Hawke
Cinematography by: Tom Richmond
Edited by: Adriana Pacheco
Magic Bullet Colorist
Final (2001)
Directed by: Campbell Scott
Cinematography by: Dan Gillham
Edited by: Andy Keir
Magic Bullet Colorist
Things Behind the Sun (2001)
Directed by: Allison Anders
Cinematography by: Terry Stacey
Edited by: Chris Figler
Compositing Supervisor: The Orphanage - 2007 Final Cut Version
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
