Compositing Supervisor
'Barry' berkman > block (2019)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Compositing Supervisor
'Barry' The Audition (2019)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Compositing Supervisor
'Barry' The Truth Has a Ring to It (2019)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Compositing Supervisor
'Barry' ronny/lily (2019)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Compositing Supervisor
'Barry' What?! (2019)
Directed by: Liza Johnson
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Compositing Supervisor
'Barry' Past = Present x Future Over Yesterday (2019)
Directed by: Minkie Spiro
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Compositing Supervisor
'Barry' The Power of No (2019)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Compositing Supervisor
'Barry' The Show Must Go On, Probably? (2019)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Compositing Supervisor
'Barry' Chapter Seven: Loud, Fast, and Keep Going (2018)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Compositing Supervisor
'Barry' Chapter One: Make Your Mark (2018)
Directed by: Bill Hader
Edited by: Jeff Buchanan
Compositing Supervisor
'Barry' Chapter Two: Use It (2018)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Compositing Supervisor
'Barry' Chapter Three: Make the Unsafe Choice (2018)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Compositing Supervisor
'Barry' Chapter Four: Commit ... to YOU (2018)
Directed by: Maggie Carey
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Compositing Supervisor
'Barry' Chapter Five: Do Your Job (2018)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Compositing Supervisor
'Barry' Chapter Six: Listen with Your Ears, React with Your Face (2018)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Compositing Supervisor
'Barry' Chapter Eight: Know Your Truth (2018)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Digital Compositor
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Senior Compositor: Hammer Head
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Senior Compositor: Zoic
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Senior Compositor: Hammer Head
The Guilt Trip (2012)
Directed by: Anne Fletcher
Cinematography by: Oliver Stapleton
Visual Effects Artist
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Compositor: SPI
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Visual Effects Artist: Digital Domain
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Quality Control Supervisor: Digital Intermediate, EFilm/Panavision
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
I/O And Quality Control
The Butterfly Effect (2004)
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Quality Control Supervisor: EFILM/Panavision
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Quality Control Supervisor: Efilm/Panavision
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Quality Control Supervisor: EFILM/Panavision
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Quality Control Supervisor: Efilm/Panavision
Finding Neverland (2004)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Editing System: Avid Editing System
Quality Control Supervisor: Efilm/Panavision
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Quality Control Supervisor: Efilm/Panavision
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Quality Control Supervisor: Efilm/Panavision
Mona Lisa Smile (2003)
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
Quality Control Supervisor: Efilm/Panavision
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Quality Control Supervisor: Efilm/Panavsion
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Quality Control Supervisor: Efilm/Panavision
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Quality Control Supervisor: Efilm/Panavision
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Quality Control Supervisor: Efilm/Panavision
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Matador 2D Paint Artist: Efilm
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
2D Paint Artist: Matador, EFILM
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
2D Paint Artist: Matador, EFILM
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Roto Artist: SPI
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Visual Effects Production Assistant: SPI
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Production Assistant: SPI
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
