Corey Bronson

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Once Upon a Time... in Hollywood | ShotOnWhat?

Set Costumer

Once Upon a Time in Hollywood (2019)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

A Star Is Born | ShotOnWhat?

Key Set Costumer

A Star Is Born (2018)

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Jay Cassidy

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Suburbicon | ShotOnWhat?

Costumer: To Mr. Damon

Suburbicon (2017)

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

"True Detective" Other Lives | ShotOnWhat?

Key Costumer

'True Detective' Other Lives (2015)

Television Episode

Directed by: John Crowley

Cinematography by: Nigel Bluck

Edited by: Chris Figler

"True Detective" Omega Station | ShotOnWhat?

Key Costumer

'True Detective' Omega Station (2015)

Television Episode

Directed by: John Crowley

Cinematography by: Nigel Bluck

Edited by: Chris Figler, Byron Smith

"True Detective" Black Maps and Motel Rooms | ShotOnWhat?

Key Costumer

'True Detective' Black Maps and Motel Rooms (2015)

Television Episode

Directed by: Daniel Attias

Cinematography by: Nigel Bluck

Edited by: Chris Figler

"True Detective" Church in Ruins | ShotOnWhat?

Key Costumer

'True Detective' Church in Ruins (2015)

Television Episode

Directed by: Miguel Sapochnik

Cinematography by: Nigel Bluck

Edited by: Alex Hall, Byron Smith

"True Detective" Down Will Come | ShotOnWhat?

Key Costumer

'True Detective' Down Will Come (2015)

Television Episode

Directed by: Jeremy Podeswa

Cinematography by: Nigel Bluck

Edited by: Alex Hall, Byron Smith

"True Detective" Night Finds You | ShotOnWhat?

Key Costumer

'True Detective' Night Finds You (2015)

Television Episode

Directed by: Justin Lin

Cinematography by: Nigel Bluck

Edited by: Alex Hall

"True Detective" Maybe Tomorrow | ShotOnWhat?

Key Costumer

'True Detective' Maybe Tomorrow (2015)

Television Episode

Directed by: Janus Metz

Cinematography by: Nigel Bluck

Edited by: Chris Figler

"True Detective" The Western Book of the Dead | ShotOnWhat?

Key Costumer

'True Detective' The Western Book of the Dead (2015)

Television Episode

Directed by: Justin Lin

Cinematography by: Nigel Bluck

Edited by: Alex Hall

American Sniper | ShotOnWhat?

Set Costumer

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Horrible Bosses 2 | ShotOnWhat?

Set Costumer

Horrible Bosses 2 (2014)

Directed by: Sean Anders

Cinematography by: Julio Macat

Edited by: Eric Kissack

Cameras: ARRI ALEXA XT Camera

Lenses: Leitz Summilux-C Series Lenses

True Detective | ShotOnWhat?

Key Costumer - 8 Episodes, 2015

True Detective (2014)

Television Series

Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik

Cinematography by: Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister

Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Transcendence | ShotOnWhat?

Set Costumer

Transcendence (2014)

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Hangover Part III | ShotOnWhat?

Set Costumer

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Key Set Costumer

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Trouble with the Curve | ShotOnWhat?

Set Costumer

Trouble with the Curve (2012)

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Campaign | ShotOnWhat?

Costumer For Zach Galifianakis

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Battleship | ShotOnWhat?

Set Costumer

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

J. Edgar | ShotOnWhat?

Set Costumer

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Due Date | ShotOnWhat?

Set Costumer

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Hangover | ShotOnWhat?

Set Costumer

The Hangover (2009)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Invictus | ShotOnWhat?

Key Set Costumer

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Leatherheads | ShotOnWhat?

Key Set Costumer

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Changeling | ShotOnWhat?

Set Costumer

Changeling (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Bedtime Stories | ShotOnWhat?

Costumer

Bedtime Stories (2008)

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Transformers | ShotOnWhat?

Letters from Iwo Jima | ShotOnWhat?

Set Costumer

Letters from Iwo Jima (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Flags of Our Fathers | ShotOnWhat?

Set Costumer

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Jarhead | ShotOnWhat?

Set Costumer

Jarhead (2005)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Hidalgo | ShotOnWhat?

Set Costumer

Hidalgo (2004)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Criminal | ShotOnWhat?

Costume Supervisor

Criminal (2004)

Directed by: Gregory Jacobs

Cinematography by: Chris Menges

Edited by: Douglas Crise, Stephen Mirrione

Collateral | ShotOnWhat?

Costume Supervisor

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Solaris | ShotOnWhat?

Set Costumer

Solaris (2002)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Pearl Harbor | ShotOnWhat?

Uniform Set Costumer

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Ocean's Eleven | ShotOnWhat?

Costumer

Ocean's Eleven (2001)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

How the Grinch Stole Christmas | ShotOnWhat?

Set Costumer

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Erin Brockovich | ShotOnWhat?

Set Costumer

Erin Brockovich (2000)

Directed by: Steven Soderbergh

Cinematography by: Edward Lachman

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Man on the Moon | ShotOnWhat?

Costumer: Mr. DeVito

Man on the Moon (1999)

Directed by: Milos Forman

Cinematography by: Anastas N. Michos

Edited by: Adam Boome, Lynzee Klingman, Christopher Tellefsen

Six Days Seven Nights | ShotOnWhat?

Costumer

Six Days Seven Nights (1998)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Living Out Loud | ShotOnWhat?

Set Costumer

Living Out Loud (1998)

Directed by: Richard LaGravenese

Cinematography by: John Bailey

Edited by: Jon Gregory, Lynzee Klingman

Cameras: Panavision Cameras

Jack Frost | ShotOnWhat?

Set Costumer

Jack Frost (1998)

Directed by: Troy Miller

Cinematography by: László Kovács

Edited by: Lawrence Jordan

Volcano | ShotOnWhat?

Set Costumer

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

Switchback | ShotOnWhat?

Set Costumer

Switchback (1997)

Directed by: Jeb Stuart

Cinematography by: Oliver Wood

Edited by: Conrad Buff IV

Spy Hard | ShotOnWhat?

Set Costumer

Spy Hard (1996)

Directed by: Rick Friedberg

Cinematography by: John R. Leonetti

Edited by: Eric A. Sears

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