Script Supervisor: Pre-timing
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Script Supervisor: Pre-timing
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Script Supervisor: Pre-timing
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Script Supervisor: Pre-timing
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Script Supervisor: Pre-timing
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Script Supervisor: Pre-timing
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Script Supervisor: Pre-timing
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Script Supervisor: Pre-timing
'No Ordinary Family' Pilot (2010)
Directed by: David Semel
Cinematography by: David Boyd
Script Supervisor: Pre-timing
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Script Supervisor: Pre-timing - 1 Episode, 2010
No Ordinary Family (2010)
Script Supervisor: Pre-timing
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Script Supervisor: Pre-timing
Yogi Bear (2010)
Directed by: Eric Brevig
Cinematography by: Peter James
Edited by: Kent Beyda
Script Supervisor: Pre-timing
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Script Supervisor: Pre-timing
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Script Supervisor: Pre-timing
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Script Supervisor: Pre-timing
Four Brothers (2005)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Script Supervisor: Pre-timing
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Script Supervisor: Pre-timing
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Script Supervisor: Pre-timing
The Dukes of Hazzard (2005)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Script Supervisor: Pre-timing
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Script Supervisor: Pre-timing
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Script Supervisor: Pre-timing
Anacondas: The Hunt for the Blood Orchid (2004)
Directed by: Dwight H. Little
Cinematography by: Stephen F. Windon
Lenses: Zeiss Ultra Prime Lenses
Script Supervisor: Pre-timing
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Script Supervisor: Pre-timing
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Script Supervisor: Pre-timing
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Script Supervisor: Pre-timing
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Script Supervisor: Pre-timing
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Script Supervisor: Pre-timing
Divine Secrets of the Ya-Ya Sisterhood (2002)
Directed by: Callie Khouri
Cinematography by: John Bailey
Edited by: Andrew Marcus
Cameras: Panavision Panaflex Platinum Camera
Script Supervisor: Pre-timing
Training Day (2001)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV
Lenses: Hawk C-Series Lenses
Script Supervisor: Pre-timing
Pay It Forward (2000)
Directed by: Mimi Leder
Cinematography by: Oliver Stapleton
Edited by: David Rosenbloom
Cameras: Panavision Cameras
Script Supervisor Additional Photography
Nothing But Trouble (1991)
Directed by: Dan Aykroyd
Cinematography by: Dean Cundey
Script Supervisor: Additional Crew
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Relief Script Supervisor
Beverly Hills Cop II (1987)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Script Supervisor - Second Unit
D.C. Cab (1983)
Directed by: Joel Schumacher
Cinematography by: Dean Cundey
Edited by: David E. Blewitt
