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Kin | ShotOnWhat?

Costumer: Mr. Franco

Kin (2018)

Directed by: Jonathan Baker, Josh Baker

Cinematography by: Larkin Seiple

Edited by: Mark Day

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Institute | ShotOnWhat?

Costume Designer

The Institute (2017)

Directed by: James Franco, Pamela Romanowsky

Cinematography by: Pedro Gómez Millán

Edited by: Evan Ahlgren, Aaron I. Butler

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4 Lenses

The Greatest Showman | ShotOnWhat?

Set Costumer: Additional Photography, Los Angeles

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

"11.22.63" The Kill Floor | ShotOnWhat?

Costumer To James Franco

'11.22.63' The Kill Floor (2016)

Television Episode

Directed by: Frederick E.O. Toye

Cinematography by: David Katznelson, Adam Suschitzky

Edited by: Sue Blainey, Michael R. Fox, Plummy Tucker

11.22.63 | ShotOnWhat?

Costumer To James Franco - 8 Episodes, 2016

11.22.63 (2016)

Directed by: James Strong, Frederick E.O. Toye, John David Coles, James Franco, James Kent, Kevin Macdonald

Cinematography by: Adam Suschitzky, David Katznelson

Edited by: Sue Blainey, Michael R. Fox, Plummy Tucker, Dorian Harris

Cameras: Red Epic Dragon Camera

Why Him? | ShotOnWhat?

Costumer To Mr. Franco

Why Him? (2016)

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

"11.22.63" The Day in Question | ShotOnWhat?

Costumer To James Franco

'11.22.63' The Day in Question (2016)

Television Episode

Directed by: James Strong

Cinematography by: Adam Suschitzky

Edited by: Michael R. Fox

"11.22.63" Soldier Boy | ShotOnWhat?

Costumer To James Franco

'11.22.63' Soldier Boy (2016)

Television Episode

Directed by: James Kent

Cinematography by: Adam Suschitzky

Edited by: Sue Blainey

"11.22.63" Happy Birthday, Lee Harvey Oswald | ShotOnWhat?

Costumer To James Franco

'11.22.63' Happy Birthday, Lee Harvey Oswald (2016)

Television Episode

Directed by: John David Coles

Cinematography by: Adam Suschitzky

Edited by: Sue Blainey

"11.22.63" The Truth | ShotOnWhat?

Costumer To James Franco

'11.22.63' The Truth (2016)

Television Episode

Directed by: James Franco

Cinematography by: Adam Suschitzky

Edited by: Plummy Tucker

"11.22.63" The Eyes of Texas | ShotOnWhat?

Costumer To James Franco

'11.22.63' The Eyes of Texas (2016)

Television Episode

Directed by: Frederick E.O. Toye

Cinematography by: Adam Suschitzky

Edited by: Michael R. Fox

"11.22.63" Other Voices, Other Rooms | ShotOnWhat?

Costumer To James Franco

'11.22.63' Other Voices, Other Rooms (2016)

Television Episode

Directed by: James Strong

Cinematography by: Adam Suschitzky

Edited by: Plummy Tucker

"11.22.63" The Rabbit Hole | ShotOnWhat?

Costumer To James Franco

'11.22.63' The Rabbit Hole (2016)

Television Episode

Directed by: Kevin Macdonald

Cinematography by: David Katznelson

Edited by: Dorian Harris

The Interview | ShotOnWhat?

Costumer: Mr. Franco

The Interview (2014)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Anchorman 2: The Legend Continues | ShotOnWhat?

Set Costumer: Mr. Carrey

Anchorman 2: The Legend Continues (2013)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Her | ShotOnWhat?

Set Costumer: Additional Photography

Her (2013)

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

The Incredible Burt Wonderstone | ShotOnWhat?

Costumer: Jim Carrey

The Incredible Burt Wonderstone (2013)

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Lee Haxall

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

This Is the End | ShotOnWhat?

Costumer: James Franco

This Is the End (2013)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Oz the Great and Powerful | ShotOnWhat?

Costumer: Mr. Franco

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Mr. Popper's Penguins | ShotOnWhat?

Dresser: Mr. Carrey

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Real Steel | ShotOnWhat?

Costumer: Mr. Jackman

Real Steel (2011)

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Little Fockers | ShotOnWhat?

Costumer: Mr. Stiller

Little Fockers (2010)

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Greg Hayden, Leslie Jones, Myron Kerstein

Cameras: ARRI Cameras

Greenberg | ShotOnWhat?

Set Costumer

Greenberg (2010)

Directed by: Noah Baumbach

Cinematography by: Harris Savides

Edited by: Tim Streeto

A Single Man | ShotOnWhat?

Key Set Costumer

A Single Man (2009)

Directed by: Tom Ford

Cinematography by: Eduard Grau

Edited by: Joan Sobel

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

I Love You Phillip Morris | ShotOnWhat?

Costumer: Jim Carrey

I Love You Phillip Morris (2009)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Stéphane Garnier, Thomas J. Nordberg

Tropic Thunder | ShotOnWhat?

Costumer: Mr. Stiller

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Yes Man | ShotOnWhat?

Costumer: Mr. Carrey

Yes Man (2008)

Directed by: Peyton Reed

Cinematography by: Robert D. Yeoman

Edited by: Craig Alpert

Cameras: Panavision Cameras

The Heartbreak Kid | ShotOnWhat?

Costumer: Mr. Stiller

The Heartbreak Kid (2007)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Alan Baumgarten, Sam Seig

The Number 23 | ShotOnWhat?

Costumer: Mr. Carrey

The Number 23 (2007)

Directed by: Joel Schumacher

Cinematography by: Matthew Libatique

Edited by: Mark Stevens

Blades of Glory | ShotOnWhat?

Set Costumer

Blades of Glory (2007)

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Lions for Lambs | ShotOnWhat?

Key Costumer

Lions for Lambs (2007)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

World Trade Center | ShotOnWhat?

Key Set Costumer

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

Fun with Dick and Jane | ShotOnWhat?

Costumer: Mr. Carrey

Fun with Dick and Jane (2005)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Eternal Sunshine of the Spotless Mind | ShotOnWhat?

Costumer: Mr. Carrey

Eternal Sunshine of the Spotless Mind (2004)

Directed by: Michel Gondry

Cinematography by: Ellen Kuras

Edited by: Valdís Óskarsdóttir

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss ARRI Macro Lenses, Zeiss Super Speed Lenses

A Series of Unfortunate Events | ShotOnWhat?

Costumer: Mr. Carrey

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Aviator | ShotOnWhat?

Set Costumer

The Aviator (2004)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Bruce Almighty | ShotOnWhat?

Costumer: Mr. Carrey

Bruce Almighty (2003)

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Scott Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Lightworks Editing System

Auto Focus | ShotOnWhat?

Key Set Costumer

Auto Focus (2002)

Directed by: Paul Schrader

Cinematography by: Jeffrey Greeley, Fred Murphy

Edited by: Kristina Boden

The Score | ShotOnWhat?

Costumer: Mr. Brando

The Score (2001)

Directed by: Frank Oz

Cinematography by: Rob Hahn

Edited by: Richard Pearson

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Spy Game | ShotOnWhat?

Costumer: Mr. Redford

Spy Game (2001)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Majestic | ShotOnWhat?

Costumer: Mr. Carrey

The Majestic (2001)

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Jim Page

Me, Myself & Irene | ShotOnWhat?

Costumer: Mr. Carrey

Me, Myself & Irene (2000)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Christopher Greenbury

Wonder Boys | ShotOnWhat?

Costumer

Wonder Boys (2000)

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Dede Allen

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

How the Grinch Stole Christmas | ShotOnWhat?

Costumer: Grinch

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Wild Wild West | ShotOnWhat?

Costumer: Mr. Kline

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

A Civil Action | ShotOnWhat?

Lead Costumer: Men, Los Angeles

A Civil Action (1998)

Directed by: Steven Zaillian

Cinematography by: Conrad L. Hall

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Horse Whisperer | ShotOnWhat?

Costumer: Mr. Redford

The Horse Whisperer (1998)

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Liar Liar | ShotOnWhat?

Costumer: Mr. Carrey

Liar Liar (1997)

Directed by: Tom Shadyac

Cinematography by: Russell Boyd

Edited by: Don Zimmerman

Up Close & Personal | ShotOnWhat?

Costumer: Mr. Redford

Up Close & Personal (1996)

Directed by: Jon Avnet

Cinematography by: Karl Walter Lindenlaub

Edited by: Debra Neil-Fisher

The Island of Dr. Moreau | ShotOnWhat?

Costumer: Mr. Brando

The Island of Dr. Moreau (1996)

Directed by: John Frankenheimer, Richard Stanley

Cinematography by: William A. Fraker

Edited by: Paul Rubell, Adam P. Scott, Thom Noble

Father of the Bride Part II | ShotOnWhat?

Set Costumer

Father of the Bride Part II (1995)

Directed by: Charles Shyer

Cinematography by: Elliot Davis, William A. Fraker

Edited by: Adam Bernardi, Stephen A. Rotter

A Walk in the Clouds | ShotOnWhat?

Costumer

A Walk in the Clouds (1995)

Directed by: Alfonso Arau

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Don Juan DeMarco | ShotOnWhat?

Costumer: Mr. Brando

Don Juan DeMarco (1994)

Directed by: Jeremy Leven

Cinematography by: Ralf D. Bode

Edited by: Antony Gibbs

Cameras: Panavision Cameras

Natural Born Killers | ShotOnWhat?

Key Costumer

Natural Born Killers (1994)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

The Firm | ShotOnWhat?

Costumer: Mr. Cruise

The Firm (1993)

Directed by: Sydney Pollack

Cinematography by: John Seale

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Cameras

Far and Away | ShotOnWhat?

Costumer: Mr. Cruise

Far and Away (1992)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses

The Distinguished Gentleman | ShotOnWhat?

Costumer: Men

The Distinguished Gentleman (1992)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Barry B. Leirer, Tony Lombardo

A Few Good Men | ShotOnWhat?

Costumer

A Few Good Men (1992)

Directed by: Rob Reiner

Cinematography by: Robert Richardson

Edited by: Robert Leighton, Steven Nevius

Cameras: Panavision Cameras

Lenses: Panavision Lenses

For the Boys | ShotOnWhat?

Set Costumer

For the Boys (1991)

Directed by: Mark Rydell

Cinematography by: Stephen Goldblatt

Edited by: Gerald B. Greenberg, Jere Huggins

Coming to America | ShotOnWhat?

Costumer: Los Angeles

Coming to America (1988)

Directed by: John Landis

Cinematography by: Woody Omens

Edited by: Malcolm Campbell, George Folsey Jr.

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Running Man | ShotOnWhat?

Costume Department Assistant

The Running Man (1987)

Directed by: Paul Michael Glaser

Cinematography by: Thomas Del Ruth

Edited by: Mark Warner, Edward A. Warschilka, John Wright

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