Hair Department Head / Makeup And Hair Designer / Makeup Department Head / Prosthetics Designer, Hair Designer / Makeup Department Head / Makeup Designer
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Makeup Artist: Mr. Gosling / Makeup Department Head
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Head Of Department Makeup Designer
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Makeup Artist: Mr Craig
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Makeup Department Head
Sicario (2015)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Lenses: Zeiss Master Prime Lenses
Makeup Department Head
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Make-up Department Head
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Makeup Artist: Daniel Craig
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Makeup Artist: Mr. Craig
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Makeup Artist: Mr. Craig, U.S.
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Makeup Department Head / Personal Makeup Artist: Mr. Craig
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Makeup Department Head
Repo Men (2010)
Directed by: Miguel Sapochnik
Cinematography by: Enrique Chediak
Edited by: Richard Francis-Bruce
Makeup Artist: Mr. Wahlberg
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Makeup Department Head
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Makeup Department Head / Personal Makeup Artist: Mr. Spacey
Casino Jack (2010)
Directed by: George Hickenlooper
Cinematography by: Adam Swica
Edited by: William Steinkamp
Makeup Artist: Mr. Wahlberg's
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Makeup Artist: Mark Wahlberg / Makeup Department Head
Max Payne (2008)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Makeup Artist: Mr.Wahlberg
Shooter (2007)
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Makeup Artist: Mr. Wahlberg
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Makeup Artist: Mr. Wahlberg
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Makeup Artist: Mr.Wahlberg
Four Brothers (2005)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Key Makeup Artist
Assault on Precinct 13 (2005)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Bill Pankow
Makeup Department Head
Taking Lives (2004)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
Makeup Artist: Mr. Hopkins
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Makeup Artist: Mr.Wahlberg
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Makeup Artist: Mr. Wahlberg
The Truth About Charlie (2002)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Makeup Supervisor
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Makeup Artist: Mark Wahlberg
Rock Star (2001)
Directed by: Stephen Herek
Cinematography by: Ueli Steiger
Edited by: Trudy Ship
Cameras: Panavision Cameras
Supervising Makeup Artist
Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Makeup Artist: Mr. Wahlberg
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Makeup Artist: Mark Wahlberg
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Key Makeup Artist
The Yards (2000)
Directed by: James Gray
Cinematography by: Harris Savides
Edited by: Jeffrey Ford
Makeup Artist: Mr. Wahlberg
Three Kings (1999)
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Makeup Department Head
The Corruptor (1999)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Makeup Artist: Mr. Northam
Gloria (1999)
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Key Makeup Artist
The Big Hit (1998)
Directed by: Kirk Wong
Cinematography by: Danny Nowak
Cameras: Panavision Panaflex Platinum Camera
Key Makeup Artist
Love! Valour! Compassion! (1997)
Directed by: Joe Mantello
Cinematography by: Alik Sakharov
Edited by: Colleen Sharp
Makeup Artist
Fly Away Home (1996)
Directed by: Carroll Ballard
Cinematography by: Caleb Deschanel
Edited by: Nicholas C. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Key Makeup Artist
Harriet the Spy (1996)
Directed by: Bronwen Hughes
Cinematography by: Francis Kenny
Edited by: Debra Chiate
Makeup Artist
In the Mouth of Madness (1994)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Key Makeup Artist
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Key Makeup Artist
If Looks Could Kill (1991)
Directed by: William Dear
Cinematography by: Douglas Milsome
Edited by: John F. Link
Cameras: Panavision Cameras
Key Makeup Artist
Beautiful Dreamers (1990)
Directed by: John Kent Harrison
Cinematography by: François Protat
Edited by: Ron Wisman
Creature Effects: C.W.I.
The Fly (1986)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
Cameras: ARRIFLEX Camera