Studio Coordinator
Guillermo del Toro's Pinocchio (2022)
Movie
Cinematography by: Frank Passingham
Cameras: Canon EOS-1D Mark IV Camera
Studio Coordinator: Air Studios
Mission: Impossible - Fallout (2018)
Directed by: Christopher McQuarrie
Cinematography by: Rob Hardy
Edited by: Eddie Hamilton
Assistant Orchestra Contractor
A Most Wanted Man (2014)
Directed by: Anton Corbijn
Cinematography by: Benoît Delhomme
Edited by: Claire Simpson
Cameras: ARRI ALEXA M Camera
Lenses: Zeiss Super Speed Lenses
Assistant Orchestra Contractor
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Assistant Music Contractor
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Assistant Orchestra Contractor
The World's End (2013)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Edited by: Paul Machliss
Assistant Orchestra Contractor
Byzantium (2012)
Directed by: Neil Jordan
Cinematography by: Sean Bobbitt
Edited by: Tony Lawson
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Assistant Music Contractor
The Raven (2012)
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Assistant Orchestra Contractor
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Assistant Orchestra Contractor
Les Misérables (2012)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Assistant Orchestra Contractor: Strings
The Magic of Belle Isle (2012)
Directed by: Rob Reiner
Cinematography by: Reed Morano
Edited by: Dorian Harris
Cameras: ARRI ALEXA Camera
Music Contractor Assistant
Mientras duermes (2011)
Directed by: Jaume Balagueró
Cinematography by: Pablo Rosso
Edited by: Guillermo de la Cal
Assistant Musicians Contractor
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Assistant Score Orchestra Contractor
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Assistant Orchestra Contractor
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Assistant Orchestra Coordinator
Broken Embraces (2009)
Directed by: Pedro Almodóvar
Cinematography by: Rodrigo Prieto
Orchestra Contractor
Defiance (2008)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Assistant Orchestra Contractor
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Assistant: Isobel Griffiths
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Assistant Orchestral Contractor
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Assistant Orchestra Contractor
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Assistant Orchestral Contractor
Che: Part Two (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Assistant Orchestra Contractor
The Other Man (2008)
Directed by: Richard Eyre
Cinematography by: Haris Zambarloukos
Edited by: Tariq Anwar
Assistant Musicians Contractor
A Summer in Genoa (2008)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Cameras: Sony HDW-750 Camera, Sony HVR-V1(P/E) Camera
Orchestra Contractor
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Assistant Music Contractor: Strings
Easy Virtue (2008)
Directed by: Stephan Elliott
Cinematography by: Martin Kenzie
Edited by: Sue Blainey
Assistant Orchestra Contractor
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Assistant Orchestral Contractor
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Assistant Orchestra Contractor
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Assistant Orchestra Contractor
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
