Co-producer, First Assistant Director
Boy Erased (2018)
Directed by: Joel Edgerton
Cinematography by: Eduard Grau
Edited by: Jay Rabinowitz
Lenses: Zeiss Super Speed Lenses
First Assistant Director
'Westworld' The Bicameral Mind (2016)
Directed by: Jonathan Nolan
Cinematography by: David Franco
Edited by: Andrew Seklir
First Assistant Director
'Westworld' Trompe L'Oeil (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Brendan Galvin
Edited by: Andrew Seklir
First Assistant Director - 2 Episodes, 2016
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
First Assistant Director
Manchester by the Sea (2016)
Directed by: Kenneth Lonergan
Cinematography by: Jody Lee Lipes
Edited by: Jennifer Lame
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Lenses, Canon K35 Prime Lenses
First Assistant Director
Neighbors 2: Sorority Rising (2016)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA XT Plus Camera
First Assistant Director
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
First Assistant Director
Neighbors (2014)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: ARRI ALEXA Camera, Red Epic Camera
First Assistant Director
Warm Bodies (2013)
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
First Assistant Director: Second Unit
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
First Assistant Director
The Five-Year Engagement (2012)
Directed by: Nicholas Stoller
Cinematography by: Javier Aguirresarobe
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
First Assistant Director - Additional Photography
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
First Assistant Director: Second Unit
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
First Assistant Director
Leaves of Grass (2009)
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
First Assistant Director
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Second Assistant Director
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Second Assistant Director
Hancock (2008)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
First Assistant Director: Additional Photography / Second Assistant Director
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Second Assistant Director
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Second Assistant Director
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Second Assistant Director
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Second Assistant Director
The Singing Detective (2003)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jeff Wishengrad
Second Assistant Director
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Second Assistant Director
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Second Assistant Director
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Second Assistant Director
Hardball (2001)
Directed by: Brian Robbins
Cinematography by: Tom Richmond
Edited by: Ned Bastille
Second Assistant Director
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Second Assistant Director
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Second Second Assistant Director
Bulworth (1998)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Key Second Assistant Director
The Gingerbread Man (1998)
Directed by: Robert Altman
Cinematography by: Changwei Gu
Edited by: Geraldine Peroni
Second Assistant Director
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Second Second Assistant Director
Nothing to Lose (1997)
Directed by: Steve Oedekerk
Cinematography by: Donald E. Thorin
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Director
Nowhere (1997)
Directed by: Gregg Araki
Cinematography by: Arturo Smith
Edited by: Gregg Araki
Second Second Assistant Director
High School High (1996)
Directed by: Hart Bochner
Cinematography by: Vernon Layton
Edited by: James R. Symons
Second Second Assistant Director
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Assistant Director
The Perez Family (1995)
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Cameras: Moviecam Compact Camera
Second Assistant Director
The Last Seduction (1994)
Directed by: John Dahl
Cinematography by: Jeffrey Jur
Edited by: Eric L. Beason
On-set Production Assistant
Mission of Justice (1992)
Directed by: Steve Barnett
Cinematography by: Peter Fernberger
Edited by: Brent A. Schoenfeld
