William H. Phen Jr.

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Passengers | ShotOnWhat?

Construction General Foreman

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Jurassic World | ShotOnWhat?

Construction General Foreman

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Construction Foreman

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Oblivion | ShotOnWhat?

Construction General Foreman

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

The Avengers | ShotOnWhat?

Construction Foreman

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Construction Foreman

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Gulliver's Travels | ShotOnWhat?

Construction Foreman

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Last Airbender | ShotOnWhat?

Construction General Foreman

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Land of the Lost | ShotOnWhat?

Construction General Foreman

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

You Don't Mess with the Zohan | ShotOnWhat?

General Foreman

You Don't Mess with the Zohan (2008)

Directed by: Dennis Dugan

Cinematography by: Michael Barrett

Edited by: Tom Costain

Cameras: Panavision Genesis Camera

The Spiderwick Chronicles | ShotOnWhat?

Construction General Foreman

The Spiderwick Chronicles (2008)

Directed by: Mark Waters

Cinematography by: Caleb Deschanel

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Blades of Glory | ShotOnWhat?

Construction General Foreman

Blades of Glory (2007)

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Live Free or Die Hard | ShotOnWhat?

Welder

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Miami Vice | ShotOnWhat?

Construction General Foreman

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

The Shaggy Dog | ShotOnWhat?

Construction Foreman

The Shaggy Dog (2006)

Directed by: Brian Robbins

Cinematography by: Gabriel Beristain

Edited by: Ned Bastille

Serenity | ShotOnWhat?

General Foreman

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

The Terminal | ShotOnWhat?

Propmaker Gangboss

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Collateral | ShotOnWhat?

General Foreman

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

General Foreman

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Daredevil | ShotOnWhat?

General Foreman

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

The Last Castle | ShotOnWhat?

General Foreman

The Last Castle (2001)

Directed by: Rod Lurie

Cinematography by: Shelly Johnson

Edited by: Michael Jablow, Kevin Stitt

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Swordfish | ShotOnWhat?

General Foreman

Swordfish (2001)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Stephen E. Rivkin

The Adventures of Rocky & Bullwinkle | ShotOnWhat?

Construction General Foreman

The Adventures of Rocky & Bullwinkle (2000)

Directed by: Des McAnuff

Cinematography by: Thomas E. Ackerman

Edited by: Dennis Virkler

The Cell | ShotOnWhat?

Propmaker Foreman

The Cell (2000)

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

The Insider | ShotOnWhat?

Construction General Foreman

The Insider (1999)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: William Goldenberg, David Rosenbloom, Paul Rubell

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Thirteenth Floor | ShotOnWhat?

Construction General Foreman

The Thirteenth Floor (1999)

Directed by: Josef Rusnak

Cinematography by: Wedigo von Schultzendorff

Edited by: Henry Richardson

The Parent Trap | ShotOnWhat?

Propmaker Foreman

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Spawn | ShotOnWhat?

Propmaker Foreman

Spawn (1997)

Directed by: Mark A.Z. Dippé

Cinematography by: Guillermo Navarro

Edited by: Todd Busch, Michael N. Knue

Ghosts of Mississippi | ShotOnWhat?

Propmaker Foreman

Ghosts of Mississippi (1996)

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Wild Bill | ShotOnWhat?

Propmaker Gangboss

Wild Bill (1995)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

The American President | ShotOnWhat?

Propmaker Foreman

The American President (1995)

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Home for the Holidays | ShotOnWhat?

Propmaker Foreperson

Home for the Holidays (1995)

Directed by: Jodie Foster

Cinematography by: Lajos Koltai

Edited by: Lynzee Klingman

Casper | ShotOnWhat?

Propmaker Gangboss

Casper (1995)

Directed by: Brad Silberling

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Cameras

The Shadow | ShotOnWhat?

Propmaker Gangboss

The Shadow (1994)

Directed by: Russell Mulcahy

Cinematography by: Stephen H. Burum

Edited by: Peter Honess

Poetic Justice | ShotOnWhat?

Propmaker Foreman

Poetic Justice (1993)

Directed by: John Singleton

Cinematography by: Peter Lyons Collister

Edited by: Bruce Cannon

Last Action Hero | ShotOnWhat?

Propmaker

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Addams Family Values | ShotOnWhat?

Propmaker Foreman

Addams Family Values (1993)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Arthur Schmidt

Death Becomes Her | ShotOnWhat?

Propmaker Gangboss

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

White Men Can't Jump | ShotOnWhat?

Propmaker

White Men Can't Jump (1992)

Directed by: Ron Shelton

Cinematography by: Russell Boyd

Edited by: Kimberly Ray, Paul Seydor

Another You | ShotOnWhat?

Carpenter

Another You (1991)

Directed by: Maurice Phillips

Cinematography by: Victor J. Kemper

Edited by: Dennis M. Hill

Child's Play 3 | ShotOnWhat?

Propmaker Gangboss

Child's Play 3 (1991)

Directed by: Jack Bender

Cinematography by: John R. Leonetti

Edited by: Scott K. Wallace, Edward A. Warschilka

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