Leadman
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Leadman
The Equalizer (2014)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Cameras: ARRI ALEXA Plus 4:3 Camera
Set Dec Foreman: Boston Unit
Captain Phillips (2013)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Additional Set Dresser
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Leadman
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Leadman
Here Comes the Boom (2012)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Scott Hill
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Leadman
What's Your Number? (2011)
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
Leadman: Boston
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Leadman: Boston
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Set Dresser
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Set Dresser
Grown Ups (2010)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Leadman
Furry Vengeance (2010)
Directed by: Roger Kumble
Cinematography by: Peter Lyons Collister
Edited by: Lawrence Jordan
Set Dresser
State of Play (2009)
Directed by: Kevin Macdonald
Cinematography by: Rodrigo Prieto
Edited by: Justine Wright
Set Dressing Gang Boss
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Set Dresser
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Set Dresser
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Set Dresser
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Set Dressing Gang Boss
The Bucket List (2007)
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Set Dressing Gang Boss
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Set Dresser
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Set Dresser
Dreamgirls (2006)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Set Dresser
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Set Dressing Gang Boss
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Set Dressing Gangboss: Re-shoot
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Set Decorating Foreperson
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Gang Boss
'Lost' Pilot: Part 2 (2004)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Edited by: Mary Jo Markey
Gang Boss
'Lost' Pilot: Part 1 (2004)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Edited by: Mary Jo Markey
Set Dresser
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Gang Boss - 2 Episodes, 2004
Lost (2004)
Directed by: Jack Bender, Stephen Williams, Paul A. Edwards, Tucker Gates, Eric Laneuville, Greg Yaitanes, Bobby Roth, Kevin Hooks, J.J. Abrams, Daniel Attias, Rod Holcomb, Karen Gaviola, Stephen Semel, Marita Grabiak, Michael Zinberg, Adam Davidson, David Grossman, Robert Mandel, Alan Taylor, Matt Earl Beesley, Roxann Dawson, Deran Sarafian, Paris Barclay, Frederick E.O. Toye, Mark Goldman, Mario Van Peebles
Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei
Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Set Dresser
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Set Dresser: Re-shoots
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Set Dresser
50 First Dates (2004)
Directed by: Peter Segal
Cinematography by: Jack N. Green
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Set Dresser
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Set Dresser
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Set Dresser
'Angel' Birthday (2002)
Directed by: Michael Grossman
Cinematography by: Ross Berryman
Edited by: Michael Stern
Set Dresser
'Angel' Provider (2002)
Directed by: Bill Norton
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Set Dresser
'Angel' Waiting in the Wings (2002)
Directed by: Joss Whedon
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Set Dresser
'Angel' Couplet (2002)
Directed by: Tim Minear
Cinematography by: Ross Berryman
Edited by: Michael Stern
Set Dresser
'Angel' Loyalty (2002)
Directed by: James A. Contner
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Set Dresser
'Angel' Sleep Tight (2002)
Directed by: Terrence O'Hara
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Set Dresser
'Angel' The Price (2002)
Directed by: Marita Grabiak
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Set Dresser
'Angel' A New World (2002)
Directed by: Tim Minear
Cinematography by: Ross Berryman
Edited by: Michael Stern
Set Dresser
In the Bedroom (2001)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Frank Reynolds
Carpenter
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Carpenter
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Carpenter , Key Construction
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Carpenter , Key Construction
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Set Dresser - 8 Episodes, 2002
Angel (1999)
Directed by: James A. Contner, Joss Whedon, David Greenwalt, Tim Minear, Bill Norton, Terrence O'Hara, Skip Schoolnik, Marita Grabiak, Vern Gillum, David Grossman, Michael Grossman, Frederick King Keller, Jefferson Kibbee, David Straiton, Bruce Seth Green, Turi Meyer, Jeffrey Bell, Steven S. DeKnight, Scott McGinnis, R.D. Price, Thomas J. Wright, Michael Lange, David Semel, Tucker Gates, Regis Kimble, Winrich Kolbe, Nick Marck, Krishna Rao, James Whitmore Jr., Sean Astin, David Boreanaz, Ben Edlund, David Fury, John Blush
Edited by: Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Carpenter
The Cider House Rules (1999)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
