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Only the Brave | ShotOnWhat?

"b" Camera First Assistant

Only the Brave (2017)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Billy Fox

Cameras: Sony CineAlta F65 Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses

The Ridiculous 6 | ShotOnWhat?

First Assistant Camera: "b" Camera

The Ridiculous 6 (2015)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Tom Costain

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Homesman | ShotOnWhat?

First Assistant Camera: "b" Camera

The Homesman (2014)

Directed by: Tommy Lee Jones

Cinematography by: Rodrigo Prieto

Edited by: Roberto Silvi

Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Transcendence | ShotOnWhat?

First Assistant Camera

Transcendence (2014)

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

2 Guns | ShotOnWhat?

First Assistant Camera: "c" Camera, New Mexico

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Bless Me, Ultima | ShotOnWhat?

First Assistant Camera: "a" Camera

Bless Me, Ultima (2013)

Directed by: Carl Franklin

Cinematography by: Paula Huidobro

Edited by: Alan Heim, Toby Yates

Lenses: Cooke S4 Lenses

The Last Stand | ShotOnWhat?

First Assistant Camera: "b" Camera, Second Unit

The Last Stand (2013)

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

The Avengers | ShotOnWhat?

First Assistant Camera: "b" Camera, Second Unit

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Vegas | ShotOnWhat?

First Assistant Camera: "b" Camera

Vegas (2012)

Television Series

Directed by: Matt Earl Beesley, Duane Clark, Roxann Dawson, Paul McCrane, Christine Moore, Greg Beeman, Gary Fleder, Anthony Hemingway, James Mangold, Jeff T. Thomas, Alex Zakrzewski, Michael Chiklis, Jerry Levine, Rosemary Rodriguez, Frederick E.O. Toye, James Whitmore Jr.

Cinematography by: Joseph E. Gallagher, Kramer Morgenthau

Edited by: Mark Manos, Jan Northrop, Fred Peterson

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

The Sunset Limited | ShotOnWhat?

First Assistant Camera: "a" Camera

The Sunset Limited (2011)

Television Movie

Directed by: Tommy Lee Jones

Cinematography by: Paul Elliott

Edited by: Larry Madaras, Roberto Silvi

Courageous | ShotOnWhat?

First Assistant Camera: "a" Camera

Courageous (2011)

Directed by: Alex Kendrick

Cinematography by: Bob Scott

Edited by: Bill Ebel, Steve Hullfish, Alex Kendrick

Cameras: Canon EOS-5D Mark II Camera, Red One Camera

Lenses: Zeiss Lenses

Editing System: Final Cut Pro Editing System

Thor | ShotOnWhat?

First Assistant Camera: "c" Camera, New Mexico

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Due Date | ShotOnWhat?

First Assistant Camera: "b" Camera, Second Unit

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Let Me In | ShotOnWhat?

First Assistant Camera: "b" Camera

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

True Grit | ShotOnWhat?

First Assistant Camera: "b" Camera, New Mexico Unit

True Grit (2010)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Deadly Impact | ShotOnWhat?

First Assistant Camera: "a" Camera

Deadly Impact (2010)

Directed by: Robert Kurtzman

Cinematography by: Paul Elliott

Edited by: Andrew Sagar

Love Ranch | ShotOnWhat?

Additional First Assistant Camera

Love Ranch (2010)

Directed by: Taylor Hackford

Cinematography by: Kieran McGuigan

Edited by: Paul Hirsch

The Spy Next Door | ShotOnWhat?

First Assistant Camera: "b" Camera

The Spy Next Door (2010)

Directed by: Brian Levant

Cinematography by: Dean Cundey

Edited by: Lawrence Jordan

Terminator Salvation | ShotOnWhat?

First Assistant Camera: "b" Camera, Second Unit

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Crazy Heart | ShotOnWhat?

First Assistant Camera

Crazy Heart (2009)

Directed by: Scott Cooper

Cinematography by: Barry Markowitz

Edited by: John Axelrad, Jeffrey Ford

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Afterwards | ShotOnWhat?

First Assistant Camera: "a" Camera

Afterwards (2008)

Directed by: Gilles Bourdos

Cinematography by: Ping Bin Lee

Edited by: Valérie Deseine

The Burrowers | ShotOnWhat?

First Assistant Camera: "a" Camera

The Burrowers (2008)

Directed by: J.T. Petty

Cinematography by: Phil Parmet

Edited by: Andy Grieve, Robb Sullivan

Cameras: Panavision Cameras

The Spirit | ShotOnWhat?

First Assistant Camera

The Spirit (2008)

Directed by: Frank Miller

Cinematography by: Bill Pope

Edited by: Gregory Nussbaum

Sunshine Cleaning | ShotOnWhat?

First Assistant Camera

Sunshine Cleaning (2008)

Directed by: Christine Jeffs

Cinematography by: John Toon

Edited by: Heather Persons

3:10 to Yuma | ShotOnWhat?

First Assistant Camera: "b" Camera, Second Unit

3:10 to Yuma (2007)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Hitcher | ShotOnWhat?

First Assistant Camera: "c" Camera

The Hitcher (2007)

Directed by: Dave Meyers

Cinematography by: James Hawkinson

Edited by: Jim May

Facing the Giants | ShotOnWhat?

First Assistant Camera

Facing the Giants (2006)

Directed by: Alex Kendrick

Cinematography by: Bob Scott

Edited by: Ryan Hensley, Alex Kendrick

Believe in Me | ShotOnWhat?

First Assistant Camera: "b" Camera

Believe in Me (2006)

Directed by: Robert Collector

Cinematography by: James L. Carter

Edited by: Anthony Redman

The Astronaut Farmer | ShotOnWhat?

First Assistant Camera: "c" Camera

The Astronaut Farmer (2006)

Directed by: Michael Polish

Cinematography by: M. David Mullen

Edited by: James Haygood

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Seraphim Falls | ShotOnWhat?

First Assistant Camera: Second Unit

Seraphim Falls (2006)

Directed by: David Von Ancken

Cinematography by: John Toll

Edited by: Conrad Buff IV

The Gift | ShotOnWhat?

Second Assistant Camera

The Gift (2000)

Directed by: Sam Raimi

Cinematography by: Jamie Anderson

Edited by: Arthur Coburn, Bob Murawski

The Waterboy | ShotOnWhat?

Second Assistant Camera: Second Unit

The Waterboy (1998)

Directed by: Frank Coraci

Cinematography by: Steven Bernstein

Edited by: Tom Lewis

Cameras: Panavision Cameras

Apollo 13 | ShotOnWhat?

Additional Second Assistant Camera: Cape Canaveral

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

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