Special Effects Supervisor
The Hate U Give (2018)
Directed by: George Tillman Jr.
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Millennium DXL2 Camera
Special Effects Foreman
Mudbound (2017)
Directed by: Dee Rees
Cinematography by: Rachel Morrison
Edited by: Mako Kamitsuna
Cameras: ARRI ALEXA Mini Camera
Special Effects Supervisor
I, Tonya (2017)
Directed by: Craig Gillespie
Cinematography by: Nicolas Karakatsanis
Edited by: Tatiana S. Riegel
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Leitz Summilux-C Series Lenses
Special Effects
Midnight Special (2016)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Special Effects Supervisor
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Pyrotechnician
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Special Effects Supervisor: Second Unit Coordinator
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Special Effects Foreman
Wild (2014)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Cameras: ARRI ALEXA XT Camera
Pyrotechnician
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Special Effects Technician
Ain't Them Bodies Saints (2013)
Directed by: David Lowery
Cinematography by: Bradford Young
Special Effects Technician
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Special Effects Coordinator
Identity Thief (2013)
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Picture Car Fabricator
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Special Effects Consultant
The Lucky One (2012)
Directed by: Scott Hicks
Cinematography by: Alar Kivilo
Edited by: Scott Gray
Special Effects Foreman
Killing Them Softly (2012)
Directed by: Andrew Dominik
Cinematography by: Greig Fraser
Lenses: Panavision HS50 50 mm T1.1 Lens
Special Effects Coordinator
Bullet to the Head (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Special Effects Supervisor: First Unit
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Special Effects Supervisor: Second Unit
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Special Effects Supervisor
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Carpenter
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Special Effects Foreman / Special Effects Technician: Second Unit
Death Race (2008)
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Special Effects Coordinator - 1 Episode, 2007
Greek (2007)
Directed by: Michael Lange, Patrick R. Norris, Gil Junger, Nick Marck, Fred Gerber, Melanie Mayron, Lee Rose, Norman Buckley, Fred Savage, Shawn Piller, Ellie Kanner, Perry Lang, Michael Lembeck, Rachel Talalay, Linda Mendoza, Sandy Smolan, Tim Matheson, Rick Rosenthal, John T. Kretchmer, Mark Rosman, Michael Grossman, Lee Shallat Chemel
Special Effects Coordinator
'Greek' Liquid Courage (2007)
Directed by: Michael Lembeck
Cinematography by: Jules Labarthe
Special Effects Supervisor: First Unit
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Special Effects Foreman
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Special Effects Foreman
The Santa Clause 3: The Escape Clause (2006)
Directed by: Michael Lembeck
Cinematography by: Robbie Greenberg
Edited by: David Finfer
Special Effects Technician: Los Angeles
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Special Effects Supervisor
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Special Effects Technician: Additional Photography
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Special Effects
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Special Effects Foreman
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Special Effects Director
Dickie Roberts: Former Child Star (2003)
Directed by: Sam Weisman
Cinematography by: Thomas E. Ackerman
Edited by: Roger Bondelli
Special Effects Supervisor
Masked and Anonymous (2003)
Directed by: Larry Charles
Cinematography by: Rogier Stoffers
Special Effects Coordinator
Big Fat Liar (2002)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Special Effects Coordinator
Bubble Boy (2001)
Directed by: Blair Hayes
Cinematography by: Jerzy Zielinski
Edited by: Pamela Martin
Special Effects Supervisor: First Unit
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Special Effects
Blue Streak (1999)
Directed by: Les Mayfield
Cinematography by: David Eggby
Edited by: Michael Tronick
Special Effects Coordinator
The Thirteenth Floor (1999)
Directed by: Josef Rusnak
Cinematography by: Wedigo von Schultzendorff
Edited by: Henry Richardson
Special Effects Supervisor: Second Unit
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Special Effects Coordinator
Black Dog (1998)
Directed by: Kevin Hooks
Cinematography by: Buzz Feitshans IV
Special Effects
Playing by Heart (1998)
Directed by: Willard Carroll
Cinematography by: Vilmos Zsigmond
Edited by: Pietro Scalia
Cameras: Panavision Panaflex Platinum Camera
Special Effects Buyer
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Special Effects Technician
Turbulence (1997)
Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Special Effects Foreman
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Technician: Mechanical Effects
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Special Effects Technician
Blown Away (1994)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Special Effects Technician
Toys (1992)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Special Effects
Dead Poets Society (1989)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: William M. Anderson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
