Special Effects Set Supervisor
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Special Effects Pyro Foreperson
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Special Effects Supervisor
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Special Effects Set Supervisor
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Special Effects Assistant Coordinator
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Special Effects Coordinator
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Special Effects Set Coordinator
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
First Unit Supervisor / Special Effects Coordinator
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Pyrotechnician: New York
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
First Unit Special Effects Supervisor
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Special Effects First Assistant
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Special Effects Foreman
The Glass House (2001)
Directed by: Daniel Sackheim
Cinematography by: Alar Kivilo
Edited by: Howard E. Smith
Special Effects Floor Supervisor
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Special Effects Set Foreman
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
First Unit Supervisor
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Special Effects
The Way of the Gun (2000)
Directed by: Christopher McQuarrie
Cinematography by: Dick Pope
Edited by: Stephen Semel
Special Effects Coordinator
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Special Effects: F/X Concepts, Inc.
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Senior Technician: Model Unit
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
First Unit Supervisor
Six Days Seven Nights (1998)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Special Effects Supervisor: Second Unit
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Workshop Supervisor: Model Unit
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects
The War at Home (1996)
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Special Effects Coordinator
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Special Effects Assistant
Automatic (1995)
Directed by: John Murlowski
Cinematography by: Peter Fernberger
Edited by: Michael Schweitzer
Special Effects
Houseguest (1995)
Directed by: Randall Miller
Cinematography by: Jerzy Zielinski
Edited by: Eric A. Sears
Special Effects Foreman
Loaded Weapon 1 (1993)
Directed by: Gene Quintano
Cinematography by: Peter Deming
Edited by: Christopher Greenbury
Special Effects Coordinator
Class Act (1992)
Directed by: Randall Miller
Cinematography by: Francis Kenny
Special Effects Supervisor
Aces: Iron Eagle III (1992)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: Bernard Gribble
Special Effects Assistant
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Assistant Special Effects
Real Men (1987)
Directed by: Dennis Feldman
Cinematography by: John A. Alonzo
Special Effects
Stand by Me (1986)
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Electronic Effects And Props
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
Directed by: W.D. Richter
Cinematography by: Fred J. Koenekamp
Miniatures And Action Props
Brainstorm (1983)
Directed by: Douglas Trumbull
Cinematography by: Richard Yuricich
Model Maker
One from the Heart (1981)
Directed by: Francis Ford Coppola
Cameras: ARRIFLEX 35 BL Camera
Effects Props And Miniatures
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
