Sean House

44 Titles

Is this you? Add a Profile

The Matrix Resurrections | ShotOnWhat?

Set Dresser

The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Model Department Supervisor: 32Ten Studios

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

"13 Reasons Why" Smile, Bitches | ShotOnWhat?

Special Effects Assistant

'13 Reasons Why' Smile, Bitches (2018)

Television Episode

Directed by: Kat Candler

Cinematography by: Ivan Strasburg

Edited by: Philip Harrison

"13 Reasons Why" Bye | ShotOnWhat?

Special Effects Assistant

'13 Reasons Why' Bye (2018)

Television Episode

Directed by: Kyle Patrick Alvarez

Cinematography by: Ivan Strasburg

Edited by: Jacques Gravett, Leo Trombetta

"13 Reasons Why" Bryce and Chloe | ShotOnWhat?

Special Effects Assistant

'13 Reasons Why' Bryce and Chloe (2018)

Television Episode

Directed by: Jessica Yu

Cinematography by: Ivan Strasburg

Edited by: Sue Blainey, Leo Trombetta

"13 Reasons Why" The Box of Polaroids | ShotOnWhat?

Special Effects Assistant

'13 Reasons Why' The Box of Polaroids (2018)

Television Episode

Directed by: Jessica Yu

Cinematography by: Ivan Strasburg

Edited by: Sue Blainey, Leo Trombetta

"13 Reasons Why" The Missing Page | ShotOnWhat?

Special Effects Assistant

'13 Reasons Why' The Missing Page (2018)

Television Episode

Directed by: Kat Candler

Cinematography by: Ivan Strasburg

Edited by: Philip Harrison

"13 Reasons Why" The Little Girl | ShotOnWhat?

Special Effects Assistant

'13 Reasons Why' The Little Girl (2018)

Television Episode

Directed by: Michael Morris

Cinematography by: Ivan Strasburg

Edited by: Jacques Gravett

"13 Reasons Why" The Third Polaroid | ShotOnWhat?

Special Effects Assistant

'13 Reasons Why' The Third Polaroid (2018)

Television Episode

Directed by: Michael Morris

Cinematography by: Ivan Strasburg

Edited by: Jacques Gravett

"13 Reasons Why" The Smile at the End of the Dock | ShotOnWhat?

Special Effects Assistant

'13 Reasons Why' The Smile at the End of the Dock (2018)

Television Episode

Directed by: Eliza Hittman

Cinematography by: Cameron Duncan

Edited by: Sue Blainey

"13 Reasons Why" The Chalk Machine | ShotOnWhat?

Special Effects Assistant

'13 Reasons Why' The Chalk Machine (2018)

Television Episode

Directed by: Eliza Hittman

Cinematography by: Cameron Duncan

Edited by: Sue Blainey

The Other Side of the Wind | ShotOnWhat?

Prop Maker

The Other Side of the Wind (2018)

Directed by: Orson Welles

Cinematography by: Gary Graver

Edited by: Bob Murawski, Orson Welles

Cameras: Éclair NPR Camera

"13 Reasons Why" Tape 7, Side A | ShotOnWhat?

Special Effects Coordinator

'13 Reasons Why' Tape 7, Side A (2017)

Television Episode

Directed by: Kyle Patrick Alvarez

Cinematography by: Ivan Strasburg

Edited by: Leo Trombetta

13 Reasons Why | ShotOnWhat?

Special Effects Assistant / Special Effects Coordinator - 10 Episodes, 2017-2018

13 Reasons Why (2017)

Television Series

Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer

Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams

Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Cameras: Panasonic VariCam 35

Lenses: Hawk V-Lite Vintage´74 Lens, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Fast 8 | ShotOnWhat?

On-set Dresser: 2nd Unit

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Rogue One: A Star Wars Story | ShotOnWhat?

Practical Effects Technician: 32TEN Studios

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Tomorrowland | ShotOnWhat?

Model Department Supervisor: 32Ten Studios

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Jurassic World | ShotOnWhat?

Model Fabrication Supervisor: Northern California VFX Unit

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

San Andreas | ShotOnWhat?

Property Master: San Francisco

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Big Eyes | ShotOnWhat?

Special Effects Coordinator: San Francisco

Big Eyes (2014)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: JC Bond

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Editing System: Avid Editing System

The Maze Runner | ShotOnWhat?

Model Department Supervisor: 32Ten Studios

The Maze Runner (2014)

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Noah | ShotOnWhat?

Practical Effects Technician: 32Ten Studios

Noah (2014)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Transformers: Age of Extinction | ShotOnWhat?

Model Department Supervisor: 32Ten Studios

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Pacific Rim | ShotOnWhat?

Model Department Supervisor: 32Ten Studios

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Internship | ShotOnWhat?

On-set Dresser: San Francisco

The Internship (2013)

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

The Lone Ranger | ShotOnWhat?

Model Department Supervisor: 32Ten Studios

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Red Tails | ShotOnWhat?

Property Master: San Francisco

Red Tails (2012)

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Priest | ShotOnWhat?

Model Maker: Kerner Optical

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Last Airbender | ShotOnWhat?

Model Maker: Kerner Optical

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Chawu | ShotOnWhat?

Assistant Property Master

Chawu (2009)

Directed by: Jeong-won Shin

Cinematography by: Barry Stone

Edited by: Jae-geun Choi

Terminator Salvation | ShotOnWhat?

Model Maker: Kerner Optical

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Milk | ShotOnWhat?

Additional On-set Dresser , Propmaker

Milk (2008)

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Elliot Graham

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Miniatures And Special Effects: Kerner Optical

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Bedtime Stories | ShotOnWhat?

Set Dresser: Napa

Bedtime Stories (2008)

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Four Christmases | ShotOnWhat?

Assistant Props: San Francisco

Four Christmases (2008)

Directed by: Seth Gordon

Cinematography by: Jeffrey L. Kimball

Edited by: Mark Helfrich, Melissa Kent

The Heartbreak Kid | ShotOnWhat?

Propmaker: San Francisco

The Heartbreak Kid (2007)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Alan Baumgarten, Sam Seig

The Pursuit of Happyness | ShotOnWhat?

Specialty Propmaker Foreman

The Pursuit of Happyness (2006)

Directed by: Gabriele Muccino

Cinematography by: Phedon Papamichael

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Rent | ShotOnWhat?

Assistant Property Master

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

Bee Season | ShotOnWhat?

Additional Assistant Property Master, Special Effects Technician

Bee Season (2005)

Directed by: Scott McGehee, David Siegel

Cinematography by: Giles Nuttgens

Edited by: Lauren Zuckerman

The Assassination of Richard Nixon | ShotOnWhat?

Assistant Property Master

The Assassination of Richard Nixon (2004)

Directed by: Niels Mueller

Cinematography by: Emmanuel Lubezki

Edited by: Jay Cassidy

The Matrix Reloaded | ShotOnWhat?

Propmaker: USA

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Matrix Revolutions | ShotOnWhat?

Sculptor: USA

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

High Crimes | ShotOnWhat?

Propmaker: San Francisco

High Crimes (2002)

Directed by: Carl Franklin

Cinematography by: Theo van de Sande

Edited by: Carole Kravetz Aykanian

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

This Space Between Us | ShotOnWhat?

Model Builder / Props

This Space Between Us (1999)

Directed by: Matthew Leutwyler

Cinematography by: David Scardina

Edited by: Matthew Leutwyler

©2012 - 2025 ShotOnWhat?

20254.20