Additional Rigging Gaffer
Baywatch (2017)
Directed by: Seth Gordon
Cinematography by: Eric Steelberg
Edited by: Peter S. Elliot
Cameras: ARRI ALEXA XT Plus Camera
Supervising Rigging Electrician: Stage
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Foreman Rigging Electric Lighting Technician
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Additional Rigging Gaffer
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Rigging Gaffer
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Rigging Gaffer
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Rigging Gaffer
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Rigging Gaffer
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Rigging Chief Lighting Technician
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Rigging Gaffer
Yes Man (2008)
Directed by: Peyton Reed
Cinematography by: Robert D. Yeoman
Edited by: Craig Alpert
Cameras: Panavision Cameras
Rigging Gaffer
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Rigging Gaffer
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Rigging Gaffer
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Rigging Gaffer: Hungary
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Rigging Chief Lighting Technician
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
2nd Unit Rigging Gaffer
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Rigging Gaffer
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Rigging Chief Lighting Technician
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Rigging Gaffer
Tears of the Sun (2003)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Rigging Gaffer
The Legend of Bagger Vance (2000)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Rigging Gaffer
What Planet Are You From? (2000)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Key Rigging Lighting Technician
Pay It Forward (2000)
Directed by: Mimi Leder
Cinematography by: Oliver Stapleton
Edited by: David Rosenbloom
Cameras: Panavision Cameras
Rigging Gaffer
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Rigging Gaffer
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Rigging Gaffer
Out of Sight (1998)
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Anne V. Coates
Rigging Gaffer
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Rigging Gaffer
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Chief Rigging Lighting Technician
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Rigging Gaffer
Up Close & Personal (1996)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Debra Neil-Fisher
Rigging Gaffer
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Rigging Gaffer
The Puppet Masters (1994)
Directed by: Stuart Orme
Cinematography by: Clive Tickner
Edited by: William Goldenberg
Rigging Gaffer
Poetic Justice (1993)
Directed by: John Singleton
Cinematography by: Peter Lyons Collister
Edited by: Bruce Cannon
Rigging Gaffer
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Special Effects Model Builder
Flight of Black Angel (1991)
Directed by: Jonathan Mostow
Cinematography by: Lee Redmond
Edited by: Barry Zetlin
Rigging Gaffer
Guilty by Suspicion (1991)
Directed by: Irwin Winkler
Cinematography by: Michael Ballhaus
Edited by: Priscilla Nedd-Friendly
Lighting Technician
The Big Picture (1989)
Directed by: Christopher Guest
Cinematography by: Jeffrey Jur
Edited by: Martin Nicholson
Gaffer: Second Unit
Disorganized Crime (1989)
Directed by: Jim Kouf
Cinematography by: Ronald Víctor García
Electrician
Lisa (1989)
Directed by: Gary Sherman
Cinematography by: Alex Nepomniaschy
Edited by: Ross Albert
Electrician
Bad Dreams (1988)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Grip
Cavegirl (1985)
Directed by: David Oliver Pfeil
Cinematography by: David Oliver Pfeil
Edited by: Robert Field
Cameras: ARRI Cameras
