Additional Gaffer - 2 Episodes, 2019
The Morning Show (2019)
Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton
Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron
Additional Photography / Gaffer
Uncut Gems (2019)
Cinematography by: Darius Khondji
Chief Lightning Technician
Ocean's Eight (2018)
Directed by: Gary Ross
Cinematography by: Eigil Bryld
Edited by: Juliette Welfling
Gaffer
Second Act (2018)
Directed by: Peter Segal
Cinematography by: Ueli Steiger
Edited by: Jason Gourson
Cameras: ARRI ALEXA Mini Camera
Gaffer: Second Unit
John Wick: Chapter 2 (2017)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Cameras: ARRI ALEXA XT Plus Camera
Best Boy Grip - 2 Episodes, 2016
Billions (2016)
Directed by: Colin Bucksey, Neil Burger, John Dahl, Anna Boden, Ryan Fleck, Karyn Kusama, James Foley, Noah Emmerich, Jessica Yu, Adam Bernstein, Matthew McLoota, Michael Cuesta, Stephen Gyllenhaal, Scott Hornbacher, Neil LaBute, Susanna White, Adam Arkin, Ed Bianchi, Alex Gibney, Steph Green, Oliver Hirschbiegel, Reed Morano, John Singleton, Mike Binder, Michael Morris, Stacie Passon, Jake Polonsky, Matt Shakman, Laurie Collyer, Naomi Geraghty, Clement Virgo
Cinematography by: Jake Polonsky, Radium Cheung, Giorgio Scali, Alexander Dynan, Eric Steelberg, Joseph E. Gallagher
Best Boy Grip
'Billions' Quality of Life (2016)
Directed by: Karyn Kusama
Cinematography by: Radium Cheung
Edited by: Susan E. Morse
Best Boy Grip
'Billions' Where the F*ck Is Donnie? (2016)
Directed by: Susanna White
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Gaffer
Collateral Beauty (2016)
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera
Gaffer
Creed (2015)
Directed by: Ryan Coogler
Cinematography by: Maryse Alberti
Editing System: Avid Editing System
Gaffer: Second Unit
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Gaffer: Second Unit
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Gaffer: Second Unit
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Gaffer: Second Unit
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Lamp Operator
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Gaffer: New York
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Lamp Operator: New York
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Lamp Operator
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Gaffer: NY
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Generator Operator: 2nd Unit
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Lamp Operator
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Best Boy Electric
Cop Out (2010)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Gaffer: Washington DC Unit
Loving Leah (2009)
Directed by: Jeff Bleckner
Cinematography by: Charles Minsky
Edited by: Geoffrey Rowland
Dimmer Board Operator
The Taking of Pelham 123 (2009)
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Dimmer Board Operator: New York
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Stage Rigging Gaffer
The Wackness (2008)
Directed by: Jonathan Levine
Cinematography by: Petra Korner
Edited by: Josh Noyes
Best Boy Electric, Generator Operator
August (2008)
Directed by: Austin Chick
Cinematography by: Andrij Parekh
Edited by: Pete Beaudreau
Electrician
My Sassy Girl (2008)
Directed by: Yann Samuell
Cinematography by: Eric Schmidt
Edited by: Anita Brandt Burgoyne
Electrician
Revolutionary Road (2008)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Electrician
Sex and the City (2008)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Lamp Operator
Burn After Reading (2008)
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Dimmer Board Operator
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Lamp Operator
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Electrician
August Rush (2007)
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dimmer Board Operator
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Electrician: New York
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Electrician
Freedomland (2006)
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Additional Grip
Keane (2004)
Directed by: Lodge Kerrigan
Cinematography by: John Foster
Edited by: Andrew Hafitz
Gaffer: Additional Photography
The Believer (2001)
Directed by: Henry Bean
Cinematography by: Jim Denault
Additional Electrician
Happiness (1998)
Directed by: Todd Solondz
Cinematography by: Maryse Alberti
Edited by: Alan Oxman
Additional Electrician
Chasing Amy (1997)
Directed by: Kevin Smith
Cinematography by: David Klein
Cameras: ARRIFLEX 16SR2 Camera
Lenses: Zeiss Super Speed Lenses
Editing System: Avid Editing System
Electrician / Grip
Dog Run (1996)
Directed by: D. Ze'ev Gilad
Cinematography by: Andrew T. Dunn
Cameras: Aaton Cameras
