Foley Supervisor
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Supervision
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Re-recording Mixer
'The Vampire Diaries' Pilot (2009)
Directed by: Marcos Siega
Cinematography by: Ramsey Nickell
Edited by: Joshua Butler
Re-recording Mixer - 1 Episode, 2009
The Vampire Diaries (2009)
Directed by: Chris Grismer, Joshua Butler, Michael A. Allowitz, Marcos Siega, Pascal Verschooris, Kellie Cyrus, J. Miller Tobin, John Behring, Jeffrey G. Hunt, Rob Hardy, Lance Anderson, Leslie Libman, Paul Wesley, John Dahl, Wendey Stanzler, Jesse Warn, Darren Genet, David Von Ancken, Liz Friedlander, Garreth Stover, Julie Plec, Geoffrey Wing Shotz, Ian Somerhalder, Kevin Bray, Tony Solomons, Michael Karasick, Rick Bota, Ernest R. Dickerson, Guy Ferland, David Barrett, Charles Beeson, Ralph Hemecker, Patrick R. Norris, Elizabeth Allen Rosenbaum, Dennis Smith, Jeff Woolnough, David Jackson, Michael Katleman, Paul M. Sommers, Darnell Martin, Brad Turner, Deborah Chow, Rashaad Ernesto Green, Tanya Hamilton, James L. Thompson III, Carol Banker
Cinematography by: Paul M. Sommers, Dave Perkal, Darren Genet, Michael Karasick, Star Barry, Ramsey Nickell, Michael Negrin, John Peters
Edited by: Tony Solomons, Lance Anderson, Marc Pollon, Glenn Garland, Brian Wessel, Tyler L. Cook, Nathan Easterling, Sean Albertson, Joel T. Pashby, Evan J. Warner, Shawn Paper, Nicholas Erasmus, Nancy Forner, Lisa Willinger, Joshua Butler, Michael Ruscio, Sunny Hodge, Michael H. Friedlander, Jacques Gravett, Peter Basinski, Erik Presant, Kyle Keris
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
'Privileged' All About the Haves and the Have-Nots (2008)
Directed by: Liz Friedlander
Re-recording Mixer - 13 Episodes, 2008-2009
Privileged (2008)
Re-recording Mixer
'Privileged' All About Overcompensating (2008)
Directed by: Norman Buckley
Edited by: Lisa Willinger
Re-recording Mixer
'Privileged' All About Defining Yourself (2008)
Directed by: Paul Lazarus
Edited by: Tammis Chandler
Re-recording Mixer
'Privileged' All About Friends and Family (2008)
Directed by: Joanna Kerns
Edited by: Tammis Chandler
Re-recording Mixer
100 Feet (2008)
Directed by: Eric Red
Cinematography by: Ken Kelsch
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
'Privileged' All About What You Really, Really Want (2008)
Directed by: Nick Marck
Re-recording Mixer
'Privileged' All About Honesty (2008)
Directed by: Michael Engler
Edited by: Tammis Chandler
Re-recording Mixer
Rest Stop (2006)
Directed by: John Shiban
Cinematography by: Mark Vargo
Edited by: Richard Byard
Sound Designer / Sound Effects Editor
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Sound Designer
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Sound Designer
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Recordist
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Recordist
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Additional Sound
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Sound Effects Editor
Dangerous Beauty (1998)
Directed by: Marshall Herskovitz
Cinematography by: Bojan Bazelli
Lead Sound Designer / Supervising Sound Editor
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Additional Audio
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Sound Designer / Sound Effects Editor
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Sound Designer
The Replacement Killers (1998)
Directed by: Antoine Fuqua
Cinematography by: Peter Lyons Collister
Edited by: Jay Cassidy
Sound Effects Editor
Vegas Vacation (1997)
Directed by: Stephen Kessler
Cinematography by: William A. Fraker
Edited by: Seth Flaum
Cameras: Panavision Cameras
Sound Effects Recordist: Egypt
Passion in the Desert (1997)
Directed by: Lavinia Currier
Cinematography by: Aleksey Rodionov
Edited by: Nicolas Gaster
Additional Sound
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Sound Designer
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Sound Designer
Albino Alligator (1996)
Directed by: Kevin Spacey
Cinematography by: Mark Plummer
Edited by: Jay Cassidy
Digital Effects Supervisor
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Sound Designer
The Crossing Guard (1995)
Directed by: Sean Penn
Cinematography by: Vilmos Zsigmond
Edited by: Jay Cassidy
Cameras: Panavision Cameras
Sound Designer
Braveheart (1995)
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Sound Effects Designer
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Sound Effects Editor
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Foley Editor
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Sound Effects Editor
Final Analysis (1992)
Directed by: Phil Joanou
Cinematography by: Jordan Cronenweth
Edited by: Thom Noble
Cameras: Panavision Panaflex Platinum Camera
Sound Editor
Stay Tuned (1992)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Hudson Hawk (1991)
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
Sound Effects Recordist
Another 48 Hrs. (1990)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Cameras: Ultracam 35 Camera
Sound Assistant
Bright Lights, Big City (1988)
Directed by: James Bridges
Cinematography by: Gordon Willis
Adr Assistant
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
Sound Effects Designer: Directors Cut
Das Boot (1981)
Directed by: Wolfgang Petersen
Cinematography by: Jost Vacano
Edited by: Hannes Nikel
Cameras: ARRI Cameras