Production Manager: Rhythm & Hues
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Visual Effects Production Manager: Rhythm & Hues
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Visual Effects Production Manager: Rhythm & Hues
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Visual Effects Production Supervisor: Barbed Wire
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Visual Effects Production Manager: Barbed Wire FX
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Visual Effects Production Manager: Barbed Wire
'Buffy the Vampire Slayer' Chosen (2003)
Directed by: Joss Whedon
Cinematography by: Raymond Stella
Edited by: Peter Basinski
Production Controller: Pre-production, Digital Domain
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Production Controller: Pre-production, Digital Domain
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Production Controller: Pre-production, Digital Domain
Rules of Engagement (2000)
Directed by: William Friedkin
Edited by: Augie Hess
Production Controller: Pre-production, Digital Domain
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Production Controller: Pre-production, Digital Domain
Edtv (1999)
Directed by: Ron Howard
Cinematography by: John Schwartzman
Visual Effects Coordinator: Rhythm & Hues
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Production Controller: Pre-production, Digital Domain
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Production Controller: Pre-production, Digital Domain
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Production Controller: Pre-production, Digital Domain
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Production Controller: Digital Domain
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Production Controller: Pre-production, Digital Domain
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Visual Effects Production Manager: Barbed Wire - 1 Episode, 2003
Buffy the Vampire Slayer (1997)
Directed by: Joss Whedon, James A. Contner, David Solomon, David Grossman, Michael Gershman, Bruce Seth Green, Nick Marck, James Whitmore Jr., David Greenwalt, David Semel, Michael Lange, Douglas Petrie, John T. Kretchmer, Ellen S. Pressman, Daniel Attias, Marti Noxon, David Fury, Rick Rosenthal, Marita Grabiak, Reza Badiyi, Scott Brazil, Stephen Cragg, Stephen L. Posey, Charles Martin Smith, Deran Sarafian, Tucker Gates, Regis Kimble, Christopher Hibler, Turi Meyer, Alan J. Levi, Bill Norton, Michael Grossman
Cinematography by: Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan
Edited by: Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses: Panavision Lenses
Production Controller: Digital Domain
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Production Controller: Digital Domain
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Production Controller: Digital Domain
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Production Controller: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Production Controller: Digital Domain
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Production Controller: Digital Domain
Sgt. Bilko (1996)
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Production Controller: Digital Domain
Andersonville (1996)
Directed by: John Frankenheimer
Cinematography by: Ric Waite
Edited by: Paul Rubell
Production Controller: Digital Domain
The Ghost and the Darkness (1996)
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
Production Controller: Digital Domain
Michael Collins (1996)
Directed by: Neil Jordan
Cinematography by: Chris Menges
Production Controller: Digital Domain
The Island of Dr. Moreau (1996)
Cinematography by: William A. Fraker
Production Controller: Digital Domain , Visual Effects Production Controller: Digital Domain
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Production Controller: Digital Domain
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Production Controller: Digital Domain
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Production Controller: Digital Domain
Strange Days (1995)
Directed by: Kathryn Bigelow
Cinematography by: Matthew F. Leonetti
Production Controller: Digital Domain
Color of Night (1994)
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Production Controller: Digital Domain
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Production Controller: Digital Domain
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Accounting Assistant
Reality Bites (1994)
Directed by: Ben Stiller
Cinematography by: Emmanuel Lubezki
