Re-recording Mixer
Cats (2019)
Directed by: Tom Hooper
Cinematography by: Christopher Ross
Edited by: Melanie Oliver
Cameras: ARRI ALEXA 65 Camera
Re-recording Mixer
Ophelia (2018)
Directed by: Claire McCarthy
Cinematography by: Denson Baker
Edited by: Luke Dunkley
Lenses: Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Re-recording Mixer
Victoria & Abdul (2017)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Re-recording Mixer
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
The Program (2015)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Re-recording Mixer
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Salvation (2014)
Directed by: Kristian Levring
Cinematography by: Jens Schlosser
Edited by: Pernille Bech Christensen
Cameras: ARRI ALEXA Plus Camera
Re-recording Mixer
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Re-recording Mixer
Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Re-recording Mixer
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Re-recording Mixer
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Re-recording Mixer
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Additional Re-recording Mixer
The Nutcracker in 3D (2010)
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Re-recording Mixer
It's a Wonderful Afterlife (2010)
Directed by: Gurinder Chadha
Cinematography by: Dick Pope
Edited by: Oral Norrie Ottey
Re-recording Mixer
Nanny McPhee Returns (2010)
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Re-recording Mixer
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Re-recording Mixer
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Re-recording Mixer
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Re-recording Mixer
Everybody's Fine (2009)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Re-recording Mixer
Agora (2009)
Directed by: Alejandro Amenábar
Cinematography by: Xavi Giménez
Edited by: Nacho Ruiz Capillas
Re-recording Mixer
Telstar: The Joe Meek Story (2008)
Directed by: Nick Moran
Cinematography by: Peter Wignall
Edited by: Alex Marsh
Re-recording Mixer
Alex Rider: Operation Stormbreaker (2006)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
Re-recording Mixer
Fade to Black (2006)
Directed by: Oliver Parker
Cinematography by: John de Borman
Edited by: Guy Bensley
Re-recording Mixer
Black Book (2006)
Directed by: Paul Verhoeven
Cinematography by: Karl Walter Lindenlaub
Re-recording Mixer - Segment "Jonathan"
All the Invisible Children (2005)
Directed by: Mehdi Charef, Emir Kusturica, Spike Lee, Kátia Lund, Jordan Scott, Ridley Scott, Stefano Veneruso, John Woo
Cinematography by: Philippe Brelot, Cliff Charles, Changwei Gu, Toca Seabra, Vittorio Storaro, Jim Whitaker, Nianping Zeng, Michel Amathieu
Re-recording Mixer
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Re-recording Mixer
Once You're Born You Can No Longer Hide (2005)
Directed by: Marco Tullio Giordana
Cinematography by: Roberto Forza
Edited by: Roberto Missiroli
Re-recording Mixer
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Re-recording Mixer
My House in Umbria (2003)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Humphrey Dixon
Sound Re-recording Mixer: Pre-mix
The Four Feathers (2002)
Directed by: Shekhar Kapur
Cinematography by: Robert Richardson
Edited by: Steven Rosenblum
Re-recording Mixer
Snatch (2000)
Directed by: Guy Ritchie
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Re-recording Mixer
The Loss of Sexual Innocence (1999)
Directed by: Mike Figgis
Cinematography by: Benoît Delhomme
Edited by: Matthew Wood
Cameras: Aaton XTR Prod Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Re-recording Mixer
RKO 281 (1999)
Directed by: Benjamin Ross
Cinematography by: Mike Southon
Edited by: Alex Mackie
Re-recording Mixer
Elizabeth (1998)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Re-recording Mixer
B. Monkey (1998)
Directed by: Michael Radford
Cinematography by: Ashley Rowe
Edited by: Joëlle Hache
Re-recording Mixer
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Dubbing Mixer
It's Good to Talk (1997)
Directed by: Roger Goldby
Cinematography by: James Bloom
Edited by: Jackie Ophir
Foley Mixer
Beyond Rangoon (1995)
Directed by: John Boorman
Cinematography by: John Seale
Edited by: Ron Davis
Adr Mixer / Foley Mixer
Frankenstein (1994)
Directed by: Kenneth Branagh
Cinematography by: Roger Pratt
Edited by: Andrew Marcus
Adr Mixer: England
Schindler's List (1993)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Moviola Editing System
Adr Mixer / Foley Mixer
Crossing the Line (1990)
Directed by: David Leland
Cinematography by: Ian Wilson
Edited by: George Akers
Re-recording Mixer
Mandela (1987)
Directed by: Philip Saville
Cinematography by: John Coquillon
Edited by: Ralph Sheldon
Dubbing Mixer
Full Metal Jacket (1987)
Directed by: Stanley Kubrick
Cinematography by: Douglas Milsome
Edited by: Martin Hunter
Cameras: ARRIFLEX 35 BL Camera
Re-recording Mixer
84 Charing Cross Road (1987)
Directed by: David Hugh Jones
Cinematography by: Brian West
Edited by: Chris Wimble
Cameras: ARRIFLEX 35 BL Camera
