Derrick Mitchell

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12 Strong | ShotOnWhat?

Visual Effects Editor

12 Strong (2018)

Directed by: Nicolai Fuglsig

Cinematography by: Rasmus Videbæk

Edited by: Lisa Lassek

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Dunkirk | ShotOnWhat?

Visual Effects Editor

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Furious 7 | ShotOnWhat?

Visual Effects Editor

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Night at the Museum: Secret of the Tomb | ShotOnWhat?

Visual Effects Editor

Night at the Museum: Secret of the Tomb (2014)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

Transcendence | ShotOnWhat?

Visual Effects Editor

Transcendence (2014)

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Lone Survivor | ShotOnWhat?

Visual Effects Editor

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Now You See Me | ShotOnWhat?

Visual Effects Editor

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Safe House | ShotOnWhat?

Visual Effects Editor

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Dark Knight Rises | ShotOnWhat?

Visual Effects Editor

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Man on a Ledge | ShotOnWhat?

Visual Effects Editor

Man on a Ledge (2012)

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Hop | ShotOnWhat?

Visual Effects Editor

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Inception | ShotOnWhat?

Iron Man 2 | ShotOnWhat?

Visual Effects Editor

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Surrogates | ShotOnWhat?

Visual Effects Editor

Surrogates (2009)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

The Kingdom | ShotOnWhat?

Visual Effects Editor

The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

The Shaggy Dog | ShotOnWhat?

Visual Effects Editor

The Shaggy Dog (2006)

Directed by: Brian Robbins

Cinematography by: Gabriel Beristain

Edited by: Ned Bastille

Charlotte's Web | ShotOnWhat?

Visual Effects Editor

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

I, Robot | ShotOnWhat?

Visual Effects Editor

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

A Man Apart | ShotOnWhat?

Assistant Editor

A Man Apart (2003)

Directed by: F. Gary Gray

Cinematography by: Jack N. Green

Edited by: Robert Brown, William Hoy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

X2 | ShotOnWhat?

Visual Effects Editor

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Men in Black II | ShotOnWhat?

Visual Effects Editor: SPI

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hollow Man | ShotOnWhat?

Visual Effects Editor

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Doctor Dolittle | ShotOnWhat?

Visual Effects Editor

Doctor Dolittle (1998)

Directed by: Betty Thomas

Cinematography by: Russell Boyd

Edited by: Peter Teschner

Mulan | ShotOnWhat?

First Assistant Editor

Mulan (1998)

Directed by: Tony Bancroft, Barry Cook

Edited by: Michael Kelly

Urban Legend | ShotOnWhat?

First Assistant Editor

Urban Legend (1998)

Directed by: Jamie Blanks

Cinematography by: James Chressanthis

Edited by: Jay Cassidy

Turbulence | ShotOnWhat?

Visual Effects Editor

Turbulence (1997)

Directed by: Robert Butler

Cinematography by: Lloyd Ahern II

Edited by: John Duffy

My Best Friend's Wedding | ShotOnWhat?

First Assistant Editor

My Best Friend's Wedding (1997)

Directed by: P.J. Hogan

Cinematography by: László Kovács

Edited by: Garth Craven, Lisa Fruchtman

Cameras: Panavision Panaflex Camera

Broken Arrow | ShotOnWhat?

Digital Effects Editor: Cinesite

Broken Arrow (1996)

Directed by: John Woo

Cinematography by: Peter Levy

Edited by: Joe Hutshing, Steve Mirkovich, John Wright

Cameras: Panavision Cameras

Flipper | ShotOnWhat?

Visual Effects Editor

Flipper (1996)

Directed by: Alan Shapiro

Cinematography by: Bill Butler

Edited by: Peck Prior

Executive Decision | ShotOnWhat?

Visual Effects Editor

Executive Decision (1996)

Directed by: Stuart Baird

Cinematography by: Alex Thomson

Edited by: Stuart Baird, Derek Brechin, Dallas Puett, Kevin Stitt, Frank J. Urioste

First Knight | ShotOnWhat?

First Assistant Editor

First Knight (1995)

Directed by: Jerry Zucker

Cinematography by: Adam Greenberg

Edited by: Walter Murch

The Crow | ShotOnWhat?

Visual Effects Editor

The Crow (1994)

Directed by: Alex Proyas

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, M. Scott Smith

Cameras: ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Lenses

Little Big League | ShotOnWhat?

Visual Effects Editor

Little Big League (1994)

Directed by: Andrew Scheinman

Cinematography by: Donald E. Thorin

Edited by: Michael Jablow

The Mask | ShotOnWhat?

Visual Effects Editor

The Mask (1994)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Arthur Coburn

Cameras: Panavision Panaflex Series Cameras

Lenses: Zeiss Lenses

Wyatt Earp | ShotOnWhat?

Visual Effects Editor

Wyatt Earp (1994)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision Primo Anamorphic Lenses

The Three Musketeers | ShotOnWhat?

Visual Effects Editor

The Three Musketeers (1993)

Directed by: Stephen Herek

Cinematography by: Dean Semler

Edited by: John F. Link

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Homeward Bound: The Incredible Journey | ShotOnWhat?

Assistant Editor

Homeward Bound: The Incredible Journey (1993)

Directed by: Duwayne Dunham

Cinematography by: Reed Smoot

Edited by: Jonathan P. Shaw

Sniper | ShotOnWhat?

Visual Effects Editor

Sniper (1993)

Directed by: Luis Llosa

Cinematography by: Bill Butler

Edited by: M. Scott Smith

Coneheads | ShotOnWhat?

Visual Effects Editor

Coneheads (1993)

Directed by: Steve Barron

Cinematography by: Francis Kenny

Edited by: Paul Trejo

Final Analysis | ShotOnWhat?

Visual Effects Editor

Final Analysis (1992)

Directed by: Phil Joanou

Cinematography by: Jordan Cronenweth

Edited by: Thom Noble

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Highlander II: The Quickening | ShotOnWhat?

Assistant Editor

Highlander II: The Quickening (1991)

Directed by: Russell Mulcahy

Cinematography by: Phil Meheux

Edited by: Hubert de La Bouillerie, Anthony Redman, Charles Simmons

Hot Shots! | ShotOnWhat?

Assistant Visual Effects Editor

Hot Shots! (1991)

Directed by: Jim Abrahams

Cinematography by: Bill Butler

Edited by: Jane Kurson, Eric A. Sears

Grand Canyon | ShotOnWhat?

Visual Effects Editor

Grand Canyon (1991)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Total Recall | ShotOnWhat?

Assistant Visual Effects Editor

Total Recall (1990)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Carlos Puente, Frank J. Urioste

Cameras: ARRIFLEX Camera

Lenses: Zeiss Lenses

Born on the Fourth of July | ShotOnWhat?

Assistant Sound Editor

Born on the Fourth of July (1989)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

Cameras: Panavision Cameras, Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Moviola Editing System

Child's Play | ShotOnWhat?

Assistant Editor

Child's Play (1988)

Directed by: Tom Holland

Cinematography by: Bill Butler

Edited by: Roy E. Peterson, Edward Warschilka

The New Adventures of Pippi Longstocking | ShotOnWhat?

Assistant Editor

The New Adventures of Pippi Longstocking (1988)

Directed by: Ken Annakin

Cinematography by: Roland 'Ozzie' Smith

Edited by: Ken Zemke

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