Second Assistant Camera
Den of Thieves (2018)
Directed by: Christian Gudegast
Cinematography by: Terry Stacey
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Assistant Camera
'The Man in the High Castle' Now More Than Ever, We Care About You (2018)
Directed by: Daniel Percival
Cinematography by: James Hawkinson
Edited by: Jason Savage
Second Assistant Camera: "a" Camera, Second Unit
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Second Assistant Camera - 4 Episodes, 2017
13 Reasons Why (2017)
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
Second Assistant Camera
'13 Reasons Why' Tape 1, Side B (2017)
Directed by: Tom McCarthy
Cinematography by: Andrij Parekh
Edited by: Leo Trombetta
Second Assistant Camera
'13 Reasons Why' Tape 2, Side A (2017)
Directed by: Helen Shaver
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
Second Assistant Camera
'13 Reasons Why' Tape 2, Side B (2017)
Directed by: Helen Shaver
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
Second Assistant Camera
'13 Reasons Why' Tape 1, Side A (2017)
Directed by: Tom McCarthy
Cinematography by: Andrij Parekh
Edited by: Leo Trombetta
Key 2nd Assistant Camera A Camera - Los Angeles
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Second Assistant A Camera
Lights Out (2016)
Directed by: David F. Sandberg
Cinematography by: Marc Spicer
Cameras: ARRI ALEXA Camera
"a" Camera Second Assistant: Santa Monica Unit
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Second Assistant Camera: B Camera
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Assistant Camera - 1 Episode, 2018
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Second Assistant Camera
'Silicon Valley' Sand Hill Shuffle (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Second Assistant Camera
'Silicon Valley' Runaway Devaluation (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Second Assistant Camera
'Silicon Valley' Bad Money (2015)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Second Assistant Camera
'Silicon Valley' The Lady (2015)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Second Assistant Camera
'Silicon Valley' Server Space (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Second Assistant Camera
'Silicon Valley' Homicide (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Second Assistant Camera
'Silicon Valley' Adult Content (2015)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Second Assistant Camera
'Silicon Valley' White Hat/Black Hat (2015)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Second Assistant Camera
'Silicon Valley' Binding Arbitration (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Second Assistant Camera
'Silicon Valley' Two Days of the Condor (2015)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Coordinating Camera Assistant
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Second Assistant Camera - 10 Episodes, 2015
Silicon Valley (2014)
Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Second Assistant Camera: "a" Camera, Second Unit/additional Photography
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Second Assistant Camera: "a" Camera
Universal Soldier: Day of Reckoning (2012)
Directed by: John Hyams
Cinematography by: Yaron Levy
Second Assistant Camera
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Second Assistant Camera: Additional Photography
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Second Assistant Camera: Additional Photography
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Key Second Assistant Camera: "a" Camera
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Second Assistant Camera
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Second Assistant Camera: Re-shoots
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Second Assistant Camera: LA Reshoots
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Camera Loader
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Clapper Loader
All About Steve (2009)
Directed by: Phil Traill
Cinematography by: Tim Suhrstedt
Cameras: Panavision Cameras
Second Assistant Camera
The Invention of Lying (2009)
Cinematography by: Tim Suhrstedt
Edited by: Chris Gill
Second Assistant Camera
Robbin' in da Hood (2009)
Directed by: Quake
Cinematography by: David S. Bouza
Edited by: Quake
Second Assistant Camera: Second Unit
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
"c" Camera Second Assistant Camera
500 Days of Summer (2009)
Directed by: Marc Webb
Cinematography by: Eric Steelberg
Edited by: Alan Edward Bell
Lenses: Panavision Lenses
Film Loader
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Second Assistant Camera: Re-shoots
Nights in Rodanthe (2008)
Directed by: George C. Wolfe
Cinematography by: Affonso Beato
Edited by: Brian A. Kates
B Camera Second Assistant
An American Crime (2007)
Directed by: Tommy O'Haver
Cinematography by: Byron Shah
Edited by: Melissa Kent
Cameras: Moviecam Compact Camera
Lenses: Hawk C-Series Lenses
Clapper Loader
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Set Production Assistant
Bee Season (2005)
Cinematography by: Giles Nuttgens
Edited by: Lauren Zuckerman
Camera Trainee
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
