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Napoleon | ShotOnWhat?

Digital Artist: ILM

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

The Sandman | ShotOnWhat?

Senior Layout Artist: ILM - 1 Episode, 2022

The Sandman (2022)

Television Series

Directed by: Jamie Childs, Andrés Baiz, Louise Hooper, Hisko Hulsing, Mairzee Almas, Mike Barker, Coralie Fargeat

Cinematography by: Will Baldy, Sam Heasman, George Steel

Edited by: Daniel Gabbe, Kelly Stuyvesant, Shoshanah Tanzer, Jamin Bricker, Eva Krispijn

Cameras: Red Monstro 8K Camera

Greyhound | ShotOnWhat?

Matchmove Supervisor: DNEG

Greyhound (2020)

Directed by: Aaron Schneider

Cinematography by: Shelly Johnson

Edited by: Mark Czyzewski, Sidney Wolinsky

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Sphero 65 Series Lenses

Mission: Impossible - Fallout | ShotOnWhat?

Matchmove Td: DNEG

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Avengers: Infinity War | ShotOnWhat?

Matchmove Supervisor: DNEG

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Baby Driver | ShotOnWhat?

Matchmove Artist Double Negative

Baby Driver (2017)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Dunkirk | ShotOnWhat?

Matchmove Supervisor: DNEG

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses

Geostorm | ShotOnWhat?

Matchmove Technical Director: Double Negative

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Wonder Woman | ShotOnWhat?

Matchmove Artist: Double Negative

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Matchmove Lead

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Captain America: Civil War | ShotOnWhat?

Camera Track Lead, DNEG

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Matchmove Lead: DNEG

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Cure for Wellness | ShotOnWhat?

Matchmove Artist: Double Negative

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Terminator Genisys | ShotOnWhat?

Matchmove Lead: Primefocus

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Avengers: Age of Ultron | ShotOnWhat?

Matchmove Lead: Prime Focus

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

Matchmove Artist: DNEG, Matchmove Artist: Double Negative

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Transformers: Age of Extinction | ShotOnWhat?

Matchmove Lead: Primefocus

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Sin City: A Dame to Kill For | ShotOnWhat?

Matchmove Lead: Prime Focus

Sin City: A Dame to Kill For (2014)

Directed by: Frank Miller, Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: ARRI ALEXA M Camera

Lenses: Fujinon Premier Lenses

Editing System: Avid Editing System

Kingsman: The Secret Service | ShotOnWhat?

Matchmove Lead: Prime Focus

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

The Interview | ShotOnWhat?

Matchmove Lead: Prime Focus

The Interview (2014)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Hercules | ShotOnWhat?

Lead Matchmover: Prime Focus

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Non-Stop | ShotOnWhat?

Matchmove Lead: Primefocus

Non-Stop (2014)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Jim May

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Exodus: Gods and Kings | ShotOnWhat?

Matchmove Lead: Prime Focus

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Two Faces of January | ShotOnWhat?

Machmove Artist / Matchmove Artist

The Two Faces of January (2014)

Directed by: Hossein Amini

Cinematography by: Marcel Zyskind

Edited by: Nicolas Chaudeurge, Jon Harris

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk C-Series Lenses

The Expendables 3 | ShotOnWhat?

Matchmove Lead: Prime Focus

The Expendables 3 (2014)

Directed by: Patrick Hughes

Cinematography by: Peter Menzies Jr.

Edited by: Sean Albertson, Paul Harb

Cameras: Blackmagic Cinema Camera, Red Epic Camera, Red Scarlet Camera

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Matchmove Lead: Primefocus

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Godzilla | ShotOnWhat?

Lead Matchmover: Prime Focus

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Aashiqui 2 | ShotOnWhat?

Matchmove Artist: Prime Focus

Aashiqui 2 (2013)

Directed by: Mohit Suri

Cinematography by: Vishnu Rao

Edited by: Devendra Murdeshwar

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens

White House Down | ShotOnWhat?

Matchmove Artist: Prime Focus

White House Down (2013)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Adam Wolfe

Cameras: ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera

Lenses: ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses

The Great Gatsby | ShotOnWhat?

Stereo Matchmove Artist: Prime Focus

The Great Gatsby (2013)

Directed by: Baz Luhrmann

Cinematography by: Simon Duggan

Edited by: Jason Ballantine, Jonathan Redmond, Matt Villa

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Agent Vinod | ShotOnWhat?

Matchmove Artist: Prime Focus

Agent Vinod (2012)

Directed by: Sriram Raghavan

Cinematography by: C.K. Muraleedharan

Edited by: Pooja Ladha Surti

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Men in Black 3 | ShotOnWhat?

Matchmove Artist

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Ek Tha Tiger | ShotOnWhat?

Matchmove Artist: Prime Focus

Ek Tha Tiger (2012)

Directed by: Kabir Khan

Cinematography by: Aseem Mishra

Edited by: Rameshwar S. Bhagat

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Total Recall | ShotOnWhat?

Matchmove Artist

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Don 2 | ShotOnWhat?

Matchmove Artist: Reliance MediaWorks

Don 2 (2011)

Directed by: Farhan Akhtar

Cinematography by: Jason West

Edited by: Ritish Soni, Anand Subaya

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